Wednesday, December 2, 2015

THE EARTHRISE DIARY (SPRING) 2015


THE EARTHRISE DIARY (SPRING 2015)

DON DIESPECKER
© Text, Don Diespecker (2015); guest writers retain their ©


Writing is in itself a joy,
Yet saints and sages have long since held it in awe.
For it is being, created by tasking the great void;
And it is sound rung out of profound silence.
In a sheet of paper is contained the infinite,
And evolved from an inch-sized heart an endless panorama.
The words, as they expand become all-evocative,
The thought, still further pursued, will run the deeper,
Till flowers in full blossom exhale all-pervading fragrance,
And tender boughs, their saps running, grow to a whole jungle of splendor.
Bright winds spread luminous wings quick breezes soar from the earth,
And, nimbus-like amidst all these, rises the glory of the literary world.
 Lu Chi: The Joy of Writing (translated lines)

 [Or] Introspect on when you last went swimming: I suspect you have an image of a seashore, lake, or pool which is largely a retrospection, but when it comes to yourself swimming, lo! like Nijinsky in his dance, you are seeing yourself swim, something that you have never observed at all!
Julian Jaynes: The Origin of Consciousness in the Breakdown of The Bicameral Mind.

The sea is high again today, with a thrilling flush of wind. In the midst of winter you can feel the inventions of spring. A sky of hot nude pearl until midday, crickets in sheltered places, and now the wind unpacking the great planes, ransacking the great planes…
Lawrence Durrell: Justine

This edition of the Diary is dedicated to the memory of Susan Adams (1957-2015). Susan and Kerry Smith co-wrote the 4-WD (Outback) essays that appeared in recent issues of the Diary.
CHARIVARI

August 29 2015. At winter’s end I totter down to Big Lawn feeling light, airy. Perhaps it’s the weather at the cusp of spring. And I can still hear Sibelius’ music in my head and also feel it or something akin to it in my hand because I’m taking the battery/dynamo radio with me and also using the other hand and the other arm to conduct the Sibelius Fifth, an exercise that works well for my pleasure. I’ve decided to cancel any agonizing over what to draft into a developing novel and am now happy that I abandoned my indecisiveness simply by starting three new books instead of merely one and thereby adding a touch of anxiety to my writer role. I suspect a touch of angst might be inspiring. Gather ye rosebuds. And yesterday morning I was wrestling wild blue ageratum (ageratum is what it appears to me to be), mist flower and blackjack all of those vagabond weeds on the (or on “my”) roadside bank (it’s Council land really, the bank and verge and a concreted stormwater drain that Council had themselves placed and which their bank profiling guys passed by without risking their slasher blades on their generously concreted roadside ditch, if you see what I mean). Floods in recent years have always left their river-delivered gifts spread over nearby lawns, gardens and roadside verges. Weed wrestling is a good exercise and also can be meditative if you’re willing to be mindful concerning your Outside time. The roadside stormwater ditch is also choked with debris that otherwise by now would have washed down to the river a few metres away. This debris includes broken branches and some small logs all of which have tried their best with a little assistance from meagre rain to reach the river and then sail away. I start moving the biggest and have my hands full as I stagger riverward with the decaying wood.  Who lives next to both river and road experiences the most bountiful of roadside stormwater debris and rubbish from further up the road that unfailingly blocks the Council stormwater ditches and distributes debris onto Darkwood Road  (Old Earthrise saying).
September 8 2015. The first of the spring reptiles to greet me is a black goanna that pops up in several locations during the afternoon. We stare with interest at each other. The goanna seems unfazed. I busy myself with trimming and reducing tree debris at the back of the house and from a respectful distance the youthful goanna and the old retainer keep wary eyes on one another. He or she isn’t at all big but is probably hungry. For those not used to these critters: goannas eat big venomous snakes for breakfast, they move quickly when they need to and they also relish very old bits of flesh. I reflect on the toxicity of a goanna’s teeth. 
September 10 2015. Two birds are (from my perspective) hassling on Big Lawn near the road. I realize that one of them is a noisy drongo: the first of the gang to arrive from wintering in the far north. If I’m correct, there will be several more to follow this vanguard arrival in the next few days. That goes for snakes and goannas, too.  
October 6 2015. Not only is it warmer than mild and just about hot: the air is now hugely humid. The humidity follows five days (last week) of no access to email and the Internet (plus a sixth day following the Labour Day long weekend holiday). No explanation is forthcoming either from the all-powerful Telstra or from any of the media. Perhaps that hardly matters in the Darkwood and Upper Thora? The Valley community is geographically stretched along the Bellinger’s twisty course. Valley residents like me appreciate communications that are reliable: some locals operate their businesses via phones and the landline. There’s no doubt that such failure for whatever reason in any of Australian cities would not take five or six days to remedy: faults and failures would be fixed within hours.
October 11 2015. Today is hot. I take my brisk walk late in the morning. I see that some gateway entrances to properties have been partly “blocked” by lines of rope or twine and a chunk of cardboard on the line implies “Cattle” will be moving along the road. A ute pulling a horse float stops alongside me and a passenger confirms cattle are being moved along the road. There’s never a dull moment here. I hasten home and rig a tawdry line at short notice and only just in time. There’s a rider shooing the herd from horseback as I gallop to and fro discouraging cattle from a serendipitously found green pasture (that’s this property, unfenced these days following numerous breaks in 30-years old poor grade steel fencing wire and the theft and also the destruction of some bloodwood posts that would otherwise have lasted many more years). The bellowing cattle are chivvied down the road and over the bridge; a cloud of dust marks their passage; there’s been no invasion or damage; normalcy restarts.
November 7 2015. Suddenly it’s the end of the first week of November: this year feels like the fastest ever and the pace of being retired at this time increases: a probably good sign of increasing necessary activity on my part, rather than unhealthy inactivity. I’ve been reflecting on my inability to prevent the occasional rodent from dropping by on unannounced visits. The house has been well secured and continues to be well protected thanks to Pete Thompson’s meticulous works of repair, renovation and restoration. Small rodents however, and without the benefit of university degrees or magic or of levitation have all too easily penetrated the Don Bunker. Whatever the rodent tactics are, they are apparently best employed when I’m at my sleepiest: 02:00, 03:00 or thereabouts, times when I’m supposedly deeply asleep. I say supposedly because I’m generally a light sleeper and wake to the smallest of sounds: the discreet sneeze of a mosquito, the grooming scratch of a freeloader rodent. There are exceptions though.  If there’s a colonising or a freeloading snake close by, the four-footers lie watchfully low in dark recesses such as the spaces between the outside weather boards with their minute apertures here and there and the inside walls, such spaces fortressed by the studs and battens comprising the wooden frame of the walls. It’s hardly credible but some snakes are also able to penetrate where there seem neither ingress or egress points (it’s all my fault because I built the original walls as well as the roof). And as strange as it may seem snakes are particularly noisy in and on and around my house. It’s hard for me to be kind to snakes or ever to think affectionately of them, any of them, all of them. It’s at about this time, November under way, with me resting on my bed late in the day that I hear snake activity. These times of relaxation are partly for regrouping and partly for fantasizing and imagining forthcoming scenes and dialogue in the current novel being drafted (it’s also head work that looks like relaxation; there has to be some time for reflecting quietly on the developing story)…
Snaky interruptions are never welcome. There was a time when snakes appeared outside and anywhere near the house or on the house and even in it if they could wangle a way inside: they would be here, there and everywhere a few days prior to mid-September. Recently I was relaxed, busily reflecting and imagining in the late afternoon when the obvious sounds (right over my head and in the ceiling this time) of a 300-kg mountain gorilla suddenly concentrated my mind. Strangely, it wasn’t a gorilla at all. The ruckus died down. I was wary; I was suspicious. The light was fading now. I stood up and searched with an LED torch beam: there was nothing to be seen inside on the top floor of the house. Finally I peered through the glass wall at the end of my bed. Above the outside deck with its wonderful downstream views two snakes were socializing on a rafter, perhaps in amorous embrace and a third considerably bigger, thicker, longer serpent lay aloof on an adjoining rafter. Each of the three snakes was a bright pink. Could these be the same ones that put on a similar display last spring and were they also variants (if such is possible) of what locals vaguely refer to as “night tiger” snakes? Good question! I don’t know the answer. Over the years most of the springtime snakes up here at Master Bedroom altitude (where at least twice they’ve managed to drop playfully on to my bed before we engaged in astounding and deadly duels won ultimately by me: such reptiles used always to be grey with a few drab maroon or perhaps pinkish lengthwise stripes). The so-called “night tiger” has a small head and is surprisingly venomous. The 2015 guys are a bright pink with no stripes. They do have small heads, though. On November 22 I found a snakeskin (that had been shed) on the TV antennae (the antennae that’s fixed to the handrails of the outside deck (or balcony) upstairs. I carefully recovered the skin from the antennae and a rampant tree fern that likes heights and measured the skin when straightened on the floor: 1.93-m and without identifying markings. This probably was discarded by The Third Snake I’d seen previously: of the other two serpents: no skins so far to litter the deck. Two metres is no great length for some local snakes: the pythons here are bigger and longer (and sometimes apparently cooperative when I encouraged one (at a time) on to the end of a long and strong bamboo before dashing away with it downstairs and then outside, as distantly as possible where I would leave the pole and its burden in a place well beyond my house. Snakes come with the territory: on occasion they even visit houses in towns and cities: you city folk might need to check your homes, too…
Drongos generally fly in during early September from their wintering somewhere in the Deep North: they’re late this year.  How on earth do the same (presumably the same) birds manage to leave here in late summer, travel thousands of kilometres and return to this place in the spring as if on cue?). I don’t need to know, but I would love to find out. Swallows travel great distances too: when they appear on the river and at the bridges, my intuition is that they often must be the same birds that I’ve previously seen in the same places…
November 28 2015. Staring moodily through the drizzle from my eyrie yesterday afternoon I’m pleasantly tired after 2 ½ hours of mowing the lawns. Other lively creatures seen recently include a bunch of healthy-looking bees (hardly a swarm) determinedly parked on and seemingly sending out scouts from the birdbath, of all places, that’s been on the belvedere riverbank edge for years. What on earth has drawn them to this location? The old faithful ever-flowering red salvia adjoins the birdbath. Perhaps the birdbath on the belvedere is becoming a hangout for bees as well as for humans?
Recently what I first saw as a large wallaby hopped up on the stone wall of the Dog’s Garden and thoughtfully chewed on the remains of my one and only blue rose: but it was surely too big (about twice the size) to have been a wallaby: stalwart kangaroos are surely a rare sight in the Valley.
November 28 2015. This has been one of the more peculiar springs. The temperature here two days ago was 34˚ C; down the road at Newcastle, it was 42˚. One day is hot and the following day is cool and also very humid. Some butterflies have resumed operations (particularly the white ones that fly so unerringly though the tree canopies whilst climbing). Small black flying ants have issued from the hot and damp earth and expired on and in the house. On November 18 during the early evening the first sinister sounds of awakening cicadas were heard: their beating will be increasingly heard through the likely hot summer. Squadrons of midges and suchlike miniatures have control of the shaded belvedere and are comfortably holding this and adjacent territory as though having annexed these areas. At dusk the ascending flights of fireflies bring a fleeting beauty to the steep hillside behind the house. I imagine kid’s stories for grownups that feature collaborations between butterflies and fireflies (that implies another Midgeworld book, I feel, like The Midge Toccata listed below).   
 The variable weather here has played a part in the collapse of several trees and of heavy branches breaking. Looking up from a kitchen window I was surprised to see a ‘Moreton Bay chestnut’ (I think that’s what it is) flowering. There are so many tall trees on high ground and the steep slopes above the house that it’s difficult to distinguish species.
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NOT SO MUCH AN EDITORIAL AS A WORDY STATEMENT
I’ve not been one for editorializing although I do like to be clear about what I write. I still have the tattered remains of my first ‘short story’: it was scrawled in pencil and featured a heroic aviator who flew his biplane over jungles. I was aged about ten and living in Pilgrim’s Rest, an alpine part of the old Transvaal. A year or so later in 1940 I was using Dad’s old Royal typewriter to compose my first ‘newspaper’: short pieces based on the news from real newspapers that were published in Johannesburg (and were always a day or so old by the time they reached us). My uncle, Dick Diespecker in Vancouver, BC, a newspaper and later a radio journalist, also was a published poet and a novelist and importantly for me was also my childhood writer-hero and later, mentor.
In old age I love now to write in different styles or different tenses, particularly when writing prose fiction. And I particularly enjoy writing novels that tend these days to be present-tense compositions and sometimes I like to please myself by writing fiction in mixed styles (James Joyce wrote Ulysses in mixed styles and it’s my opinion that Ulysses is an astonishing work of art).
As a writer I have certain bad habits one of the worst of which is long-windedness. I’m going to make another point or two about writing and you’ll see what I’m presently getting at. Here’s the first point: one my favourite teachers in high school (Mansfield High School, Durban) was Joyce Kidger who taught English (and I particularly remember her teaching about literature). Joyce Kidger also encouraged me to write in several ways. She kindly lent me some of her books (written largely by British and American novelists). One Saturday morning whilst searching a popular second hand bookstore I discovered The Essential Hemingway a hardcover book that I still have and which now is much worn (there is one complete novel, extracts from three others, twenty-three short stories and a chapter from Death in the Afternoon). The complete novel is Fiesta (The Sun Also Rises). That Fiesta was the first Hemingway (1898-1961) novel was a revelation to me because it was published in 1926 when he was in his mid to late twenties. I learned about aspects of writing and style that particularly interested me and I also was inspired to travel to Europe, where I intentionally chose to live and work in Paris for some months. Another favourite High School teacher was Oscar Palin, my science teacher who was also an instructor to the school’s Cadet Corps: he taught me how to shoot straight and we later became friends when I’d completed high school. I like to give characters and protagonists in my stories composite names that memorialize friends and teachers from my past (“Avra Palin” in Success (and also in the draft “Excess” is a character whose names were borrowed from Avra Pavlatos who lived in Greece when Pam and I met her in 1954; Oscar Palin was my high school Science teacher in the 1940s). Now I’m remembering the graffiti chiselled in a broken temple column on the coast near Athens: “BYRON”.   
The second point: in 1951 Paris I met many students and young writers who were doing what I was doing: hitching around, meeting my contemporaries from many countries. Some who were university or college students explained that the best way to properly learn about James Joyce’s Ulysses, for example, was to study such writing at university which several years later I was able to do in Newcastle, NSW, (where Professor Clive Hart was a renowned scholar specialising in the works of James Joyce). Later still, I was also attracted to the writings of Virginia Woolf.
Dear Reader, I’m tempted to write much more about myself as an apprentice writer but will resist. Writing, whoever is doing it, begins in our minds as words that we have learned. We use learned words when we think and reason and daydream and compose. From the heavenly whirl of words and languages in our wondrous minds our wonderful brains, we scribble or tap keys and buttons to make artworks. Shopping lists, diary and journal notes, novels, poems, our names chiselled or painted, our experimental and research reports our published papers, military orders, dispatches, prayers, music, songs and the lyrics of playwright and hundreds of other writings including graffiti. All these writings are artworks whether we like it or not: words and legible other symbols that we produce enable our communicating one with another. Words spoken and then also written thousands of years ago may be accessed, read and understood in this era.
I recently decided to discontinue composing monthly Earthrise Diaries and then to publish only four seasonal ones each year because retirement is a busy time. Selfishly now, I’ll be publishing The Earthrise Diary infrequently so that I can use my writing time to complete personal works (particularly novels as well as non-fiction anthologies). Paradoxically I’ve also decided that future Diaries will emphasize what I’m calling The Environment and Our Being In The World. This label might look clumsy but it will cover topics that are a concern for most of us: health and illth (the abbreviation for ill health), lifestyle, the health and processes of our planet (such as global warming and climate change). The first items (see below) that will I hope highlight some of these concerns now get at least a mention although they deserve comprehensive discussed in a new section. For those readers who may not know: The Earthrise Diary currently has readers in Australia, Canada, the USA, the UK, France, Germany, Israel and South Africa (and possibly in other countries, also).
If you are a regular Diary reader and have experiences or views or knowledge that may be relevant and appropriate for the new section in this Diary, please share by emailing copy to me. I’ll include copy that requires little or no editing: paragraphs, longer essays written in Times New Roman 12-pt or similar sent as Word attachments. No poetry, thanks (we all write poetry and authenticating its themes would be unrealistic). I’m inviting prose writings, particularly those that include factual information that’s reliable because it’s proven or has been fact checked. Your views and opinions and suggestions may also be considered. 
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THE ENVIRONMENT AND OUR BEING IN THE WORLD
Fluoridation of water supplies is an emotion-charged subject, but is linked with a potentially serious health hazard, fluoride pollution, and it must be discussed. The scientific evidence supporting the efficacy and safety of mass fluoridation is not as good as it ought to be, but neither is there convincing evidence that it is harmful. Although there are certainly some “cranks” in the anti-fluoridation school, there are also some serious and competent scientists and responsible laymen who have been unmercifully abused because of the position they have taken on this controversial issue. Individual treatment with fluoride is simple and can be supplied cheaply on public funds for those desirous of using it. 
Fluoride pollution is a serious problem. Fluorides are discharged into the air from steel, aluminium, phosphate, glass, pottery, and brick works. It can add to the fluoride uptake of individuals who drink fluoridated water. In addition, increased fluoride concentration has been detected in foods and beverages processed in communities supplied with fluoridated water. The difference between “safe” and “unsafe” levels of fluoride uptake is small and it is clear that some people in fluoridated communities and elsewhere are now taking in more than the official “safe” level (there is evidence that even this level may be unsafe for certain people). Fluoride pollution and water fluoridation should be monitored much more closely, and a way must be found to assay the benefits and dangers of fluoridation in a much calmer atmosphere than has prevailed over the past decade or so.
Paul R Ehrlich and Anne H Ehrlich: POPULATION, RESOURCES, ENVIRONMENT: Issues in Human Ecology (1970, 1972).

The deterioration of our natural environment has been accompanied by a corresponding increase in health problems of individuals. Whereas nutritional and infectious disease are the greatest killers in the Third World, the industrialized countries are plagued by the chronic and degenerative diseases appropriately called “diseases of civilization,” the principal killers being heart disease, cancer and strokes, and strokes. On the psychological side, severe depression, schizophrenia, and other psychiatric disorders appear to spring from a parallel deterioration of our social environment. There are numerous signs of social disintegration, including a rise in violent crimes, accidents, and suicides; increased alcoholism and drug abuse; and growing numbers of children with learning disabilities and behavioural disorders. The rise in violent crime and suicides by young people is so dramatic that it has been called an epidemic of violent deaths. At the same time, the loss of young lives from accidents, especially motor accidents, is twenty times higher than the death rate from polio when it was at its worst. According to health economist Victor Fuchs, “ ‘epidemic’ is almost too weak a word to describe this situation.”
Along with these social pathologies we have been witnessing economic anomalies that seem to confound all our leading economists and politicians. Rampant inflation, massive unemployment, and a great mal-distribution of income and wealth have become structural features of most national economies. The resulting dismay among the general public and its appointed leaders is aggravated by the perception that energy and natural resources—the basic ingredients of all industrial activity—are rapidly being depleted.
Fritjof Capra: THE TURNING POINT: Science, Society, and The Rising Culture (1982). 
BEGININGS
I’ve intentionally chosen overlong quotations as epigraphs to this new Diary section. Notice that the Ehrlich and Ehrlich text was first published 45-years ago in 1970. In 1970 I began teaching psychology at The University of Wollongong (NSW). I had made a point of first discussing with my colleagues the Ehrlich book (intended as the chosen text for first year Introductory Psychology). My colleagues were critical: the title implied disciplines other than psychology. My argument, viz., that each of the three principal words in the book’s title related unequivocally to aspects of human behaviour, persuaded them, though grudgingly and the Ehrlich book became the set text. (Subsequently there were fewer objections to my having chosen a text by a physicist for my Third Year Health Psychology course).
The views and sentiments in the above quoted passages would perhaps not be surprising or out of place in this era and that also implies that there might not have been much change in the past 45-years in some of our contemporary thinking about the health of our societies in Australia as well as in other Western countries.
I experienced similar difficulties when several years later I had a tougher job introducing (as 300-level teaching courses) “Humanistic Psychology” (as the psychology of the whole person); “The Psychology of Health”; and “Consciousness.”    
I make this point: when in the 1970s and the 1980s I introduced as teaching subjects in psychology in The University of Wollongong (NSW), courses on Humanistic Psychology, The Psychology of Health, as well as Consciousness, they were to the best of my knowledge the first of their kind to be offered in an Australian university. Perhaps the conservative and defensive thinking that I imply here has now changed? I don’t know and I doubt any of my then “radical” approaches to teaching psychology in the 1970s and 1980s have survived as contemporary courses offered in 2015. (Most of my writings in old age are currently available as eBook novels and anthologies of essays written about life and nature in the Bellinger River Valley: Google my name + Amazon/Kindle or see the appended list at the end of this blog). “Retirement,” whatever that may mean to you is proving to me that retiring is absolutely the busiest of experiences and is, as well, the time of my life. This is the time too to share some of what may be helpful to anyone reading this.
Another point: old age whatever else it may be is not the time to be sitting restfully doing nothing beyond trying to comprehend how quickly time seems to be passing so quickly. Old age is also Opportunity Time: rather than sitting idly, consider working harder to be healthy, working harder to continue doing what you best can do.
There was a compelling segment in The Science Show broadcast on November 21 2015 (ABC Radio National) (in Australia). That segment was about vigorous exercise following cancer surgery and so-called chemo. A rest regime would seem to be the sensible thing to do following a harrowing illness + treatment or surgery. Our immune systems do the best they can to return us to health but their further stimulation by hard exercise will ensure that the immune system is encouraged to work at its best by the patient doing lots of exercise that will probably seem as extreme by proponents of rest.
At this point I introduce to you my good friend, Bruce Furner whom I’ve known since 1961 when I was a mature age student and we were both First Year psychology students at Newcastle University College that later became The University of Newcastle (NSW). Bruce and Tracey Furner were listening to The Science Show, as was I, on November 21 2015.
Bru Furner writes:
I was recently diagnosed with lymphoma and have just commenced two years of treatment, the initial period of six months being RCHOP Chemotherapy, 8 sessions at intervals of three weeks.  I was told to rest after treatment, but research carried out by Professor Rob Newton at Edith Cowan University, Western Australia strongly supports the adoption of strong physical activity throughout the treatment period. This activity should comprise both Aerobic and Anaerobic exercise. 
Benefits appear to be a reduction in side effects of the chemo and better long-term outcomes.  In addition, it has long been known that regular exercise is helpful in maintaining a positive emotional state. 
At a purely intuitive level it seems obvious to me that being physically fit is a big plus in dealing with any health problems. So, despite being told by nursing staff to rest after chemo I have begun to exercise. I like the feeling of being active, of drawing in more oxygen, which cancers hate, and of not being a passive recipient of treatment.  
Prof Newton has suggested that the exercise schedule that I pursue should be tailored to my own circumstances and in particular to the type of treatment that I am receiving. He suggested that I seek the advice of an accredited exercise physiologist. 
In addition to exercise I have been looking very closely at diet and have consulted with a dietitian and a nutritionist and biochemist. This is another whole (and massive) field of inquiry. 
Also included in my treatment regime is the practice of meditation of which I have many years of experience and regular tai chi that is of course a moving meditation. 
I've also been advised to drink between 2- and 3-litres of water a day. I'm not au fait with the pros and cons of different waters but we use filtered water for all drinking and cooking purposes. 
Bruce adds: There is lots of information about diets on the web and the link to the Science Show featuring Prof Newton is: Exercise and cancer on The Science Show - ABC Radio - https://radio.abc.net.au/programitem/pen5DBG4N3?play=true 
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I was encouraged both by Bru’s words and by information that readers may find and follow at Edith Cowan University (e.g., Google Edith Cowan University + Exercise Medicine). 
"Edith Cowan University’s Exercise Medicine Research Institute is a cross-disciplinary alliance of research centres and expertise with extensive national and international linkages. It is the first institute of its kind at an Australian University bringing together an expert team of researchers committed to improving community health and wellbeing. In partnership with national and international networks, it enhances collaboration and promotes a holistic approach to health and lifestyle".
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Potable water will surely be a promising topic for readers to explore provided there are relevant and appropriate articles that can be found via the Internet. One of my fantasies is that “potable water” has surely attracted researchers around the world, but what if it has not been intensively studied where each of us lives? I use a Firefighters pump to lift river water to a storage tank and use a smaller pump to bring water as required to the house (the small pump is electrical and set to keep water in the line under pressure). Before the “house water” is reticulated it passes through a paper filter that hopefully removes all or most of the organic material likely to be harmful. For the past 30-odd years I’ve always boiled water first before drinking and my cooking water is boiled during cooking. Boiled water is also used when brushing my teeth (there is no access here to “town water” as, e.g., may be supplied to households in nearby Bellingen. Violent thunderstorms these past few days have caused debris and soils to pollute and discolor the river so that this is not an appropriate time to collect such water). More recently Pete has installed a (chemical) filter adjacent to the kitchen sink that produces alkaline water. Some locals also collect rainwater from roofs and store this in large tanks (but I don’t know what further processes might be employed on such water).
I imagine that universities in or close to this region (the Mid North Coast of New South Wales) may have done research that would distinguish, as health issues, differences between river water, rainwater, “town water,” chemically filtered (alkaline) water from various sources, and varieties of “bottled water.” If so, there would likely be important differences not only between varieties of water but there would likely also be health differences between those respondents who drink (and cook with) varieties of water. Or is that information assumed or taken for granted? What do we know as factual, concerning the water that we use for drinking and cooking and how might the water that we drink be affecting our health? 
Some of my correspondents have been reading information now readily available on the Internet. For example: there are indications that although alkaline water is generally considered to be safe it may also “dilute” (my word) or even neutralize powerful acids in our digestive systems that we use to break food down. In other words some water that we drink has the potential to produce side effects deleterious to our health. Check metabolic alkalosis. “Town water” is cleaned by certain chemicals before the customer accesses it. To what extent do we know exactly what our drinking water contains? Thank you for your research notes and comments, Sharon Snir and Jill Alexander.
If you have an interest in researching some of these notions on the Internet and also writing essays: please contact me. We don’t have to be Nobel Prize winners to review literature on the Internet and to discuss in reports or essays what we find.
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CREATIVE WRITING

POSTCARD from INDONESIA
Peter Thompson

We’re cruising at 901-kph (ground speed), somewhere over the Kimberly, WA. Making up for lost time, the outside temperature is minus 61˚-C and the inside cabin temperature a comfortable 21˚ -C. I can feel that we’re descending now as we’re past the halfway mark though nearly two hours from our destination: Denpasar, Indonesia.
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Earlier. Our journey begins at about 22:00 hours and we’re well provisioned for our long journey with nibbles, fruit and alkaline water. We drive for 40-min to Urunga railway, our tiny local station where we join the North Coast Express for our five hours journey to Roma St., Brisbane. The train arrives right on time; there’s no platform announcement: it just stops. We get on and we’re off in about 60-sec flat. We enter our darkened 1st class car where we can see just enough to get settled. Our conductor, courteous and efficient, promptly shows us to our seats: we’re offered two each: that means there’s a slight chance of our getting some sleep.
We settle in and find the ride is much smoother than we had imagined. We recline our seats and settle in for the next five hours although I tend to roll forward whenever the brakes are applied and also when stationary at lights or stopped at a station, I waken. Railway crossings brightly lit where roads intersect with railway mean that it’s advisable to draw the curtain if we want to get any sleep. I’m just starting to get the hang of this two seat thing when the conductor bursts in, walks through the carriage with a sense of urgency and the lights are turned on. There is no announcement: we assume that we’re getting close to our destination.
Arriving in Brisbane it is now 3:30 am we were surprised to find a cold breeze on the platform: it is chilly to put it mildly so we decide to take advantage of the almost deserted platform and do our morning Tai Chi and meditation. I imagine the security cameras don’t see that every day! It’s almost as though we are invisible on this breezy platform as we wait for our connection to the International terminal; nobody looks directly at the crazy people! Arriving at Brisbane International Airport we make our way from train station to departure terminal where we locate a comfortable lounge area and we settle in for a couple of hours whilst waiting for the check-in to open. It is now 6:00am.
Check-in is quick and easy: a printed ticket or itinerary is no longer required, just a passport. Our boarding passes are issued: carry-on luggage is weighed at 7.1-kg each (just 100-gm over). We have a basic breakfast before heading through the security, customs and immigration checks to the departure area where there’s plenty of time for coffee and home baked muffins. We re-stock our precious water supplies transferring plastic bottled water into our stainless containers. Our departure has been delayed about 30 minutes, but we are soon on board a very full Boeing 787 Dreamliner aircraft waiting our turn to proceed to the main runway. We have chosen seats at the rear so as to have a little space and a little it is as we share our aircraft with 331 other passengers.
We’re soon airborne and climbing, the seatbelt sign is turned off and the passenger in front reclines her seat almost into my lap. I have just enough room to breathe, but there’s comfort in the knowing that I can pass the time counting the hairs on her head that is now about six inches from my face. The word sardine comes to mind, packed in this alloy and plastic tube we’re hurtling through airspace at ridiculous speeds. We have now flown nearly 3500-km, three hours have passed and the passengers appear to be getting restless. Call buttons are franticly lighting up as I notice on my personal screen (in the back of the seat in front of me) that we still have just 1 1/2 hours to go. There are queues to all the lavatories, most likely due to the bumpy descent we are now experiencing.
It feels warmer in the cabin as we descend perhaps the crew have turned the temperature up, perhaps the passengers are nervous and getting warmer or perhaps it’s a sign of what’s below and ahead. I deduce that even the pilots will want to stretch their legs after four hours of sitting at the cockpit.
Our arrival at Ngurah Rai International Airport goes smoothly. We’re issued with our VOA’s (visa on arrival) that means we can stay for pleasure purposes only for 30 days before we apply for another 30 days. Our friend Katut (Ki-toot) is waiting for us out front, it’s great to see him after a year and he’s recently married and is expecting his first child. The usual heavy traffic on route north to Ubud is surprisingly light; we catch up on all the family news as Ketut has much to share with us. Balinese wedding rituals are complicated and happen over several months, all relatives and friends are expected to attend and guest numbers are around 550 for Katut and Iluh. The catering is huge for a large family of hungry Indonesians: seven pigs are slaughtered and many helpers are required. We’re making such good time when suddenly we stop and are going nowhere because there’s a procession ahead and we’ll just have to wait. Rumah Roda, our home for the next eight days is close but it’s way too hot to walk. We continue our catch-up with Katut and soon we arrive at our Balinese family compound. It is nearly 7:00 pm (home time) as we come to the realisation that we’ve been on the move for 21 hours. Iluh (Ketut’s wife), our adopted Balinese daughter is waiting for us. There are big, big hugs and lots of smiles. Dharma comes down to greet us also, as well as Suti (Darter’s wife), Ibu (Darter’s mother), Kadek and Putu from the kitchen and Koman from the restaurant. It’s great to see our Balinese family and there are several new smiley faces around as well. Iluh shows us to our favourite room, number 7, overlooking the entire family compound. There is a cooling breeze moving through our semi-open room, with bamboo blinds providing shade from the western sun. 
We rest until dark, freshen up in cool clean well water and then make our way across to the family restaurant where we meet the head of the family, Suddartha (Darta) who is very pleased to see us. We catch up then he gestures for us to go up to the restaurant, relax and have a nice Indonesian meal. We thoroughly enjoy our delicious Gado Gado and soak up the village ambiance. Life is good!  

NOTES FROM AFAR
© Don Diespecker

Dearest One, Liebling,   
Here I am again. At last I offer my Australian English language letter to you! It is also a letter at the end of my visit here in New South Wales. I am wishing for this letter to reach you before we meet again in Germany. Our meeting will be soon my love and I plan to leave here because I have completed my work. Now you have two surprises I think? First I write to you in this my new language and second I advise that I am close to following my letter home to you! Of course you have read some of what is written here but previously written only in German so my Australian English writing, my beloved, will seem strange. This letter may serve us both in the future if we are in English-speaking countries. My Australian English is not so fluent as your English but I believe you will understand me. I have been given much assistance to learn to speak this language and also to write this, my first English letter! My teachers are the local people who in turn learn some of our German. They are two schoolteacher friends: Chris who teaches English and his wife Beulah who teaches music! I could not be more fortunate! I continue to live as a camper in my tent and on the riverbank in this beautiful Bellinger Valley. The local people here call this part of the Bellinger Valley “The Darkwood” and it is also the place where all of my time continues to be lived on the riverbank: it is always so wonderful a place!
In the middle days of June I shall begin my return to you my love. I cannot completely believe how far we now are apart! It is truly a distance unimagined. In my mind the distance is entirely real: it is a truth of geography, but my heart advises that we continue to be very close to each other. It is as if our hearts beat so strongly that they can be heard aloud as if only millimetres apart! I know you will better understand English because you have already learned it so well when in School. I must announce that my struggle with this Australian English language is also a joy. I will tell you another surprise or two in this language so you will please continue to read my letter! 
As you know from earlier letters, where I live in my tent all is beauty. Seeing and experiencing this beauty is like seeing and experiencing you and our being together in our own happiness: I am unable to feel sad here. My tent is at a bend of the river: there are rapids nearby and the water white and filled with sounds: sometimes it is as if I can identify these sounds of the river as voices, as voices singing. It is a completely new experience! It seems to me a kind of magic. The river water is now clear again after much rain and again begins to turn pale green. I can see along the downstream to the next bend. There are many great trees. Some trees near my tent are very high: these are so beautiful and straight and white and are named Flooded Gums. Many more trees along the banks are Casuarina: these continue to be a surprise also because they remind me of pine trees yet they are not pines. When after rain in the night the Casuarina trees shine in the morning with water drops on the points of the branches: they are like many jewels on pine needles in sunlight. The sun rising is so magnificent that I forget to make breakfast at the right time! The morning sunlight makes the river coming from the rapids look flashing and swirling like molten metal. I mention too that on this side of the river there is forested high ground. I have seen downstream some of the great trees on that steep slope that flower in the late summer in February: they are the Bloodwoods. Sometimes there is rising mist from the river trying to become clouds. The mist is also rising through the Bloodwood bunches of flowers high on the steep slopes. When sometimes there is light rain falling the river is seen with smooth clear streams within the wider river stream. It is so strangely beautiful to see and I the only person here to see this!
I mention again the birds seen in this place. Many are a very big surprise, also. I have seen this morning a Regent Bower Bird: his colours are black and gold. I stop breathing to watch it nearby. There are wild turkeys, always busy scratching for food. Herons walk in the shallow water, hunting their prey. The best flyers are cormorants that fly so beautifully one by one or several together. There are swallows that fly to Europe when the season directs! One nearby bird is now making a strange sound: a whipbird that calls to its partner with a sustained whip-cracking song, most loudly (the female makes quite different short notes). Here there are even ducks and hawks and eagles. The fishing eagle floats up marking a spiral progress through the air over the river. 
Also in the river there are small fish and eels and a most strange animal named a platypus that looks somewhat like a beaver. And there are turtles, too.
All here is very great beauty and with very few people living on small farms or ‘properties’ nearby. I would say that to live here is to live within this beauty. The nature here enfolds one! I write of this country life to explain how wonderful it is for me to be able to do my work here: this place is without you or it would be completely heaven to be both of us here.
When drinking tea after breakfast today I saw a small kangaroo that is named a wallaby. He is altogether a wild creature, too. Although the wallaby was close to this tent and eating, I could not disturb it. I was accepted. The most dangerous creature here for me is the snake: there are many kinds and some are extremely dangerous because they are poisonous. Nothing disturbs at night when I close the tent and lie listening in my blankets. Inquisitive possums that live in the forest here come to visit my tent at night to be noisy and are most curious creatures being like very big furry cats. They are loud but harmless.
You will be surprised to learn that all of this great splendour (so many different creatures and the trees and the river) experienced altogether means that working here is so easy that it is also astonishing pleasure! I am reminded here of my childhood and Bohemian games in the forest, the wildness of the natural countryside. The greatest difference in living here on the riverside is that there is no village, town or city that I can see. How strange it is that what I write of in my daily work is a narrative about a city, of all things!  Here I am sitting at the edge of the forest and on the green riverbank: there is no house to be seen. My story, the narrative about lives in the city (narrative is an English word that I very much like) improves I am certain because I am in the country! As I have written, the more I think of this country place the more it is as if I am being enfolded (another very good new word for me) by the country as though enfolded by you, joy of my life!
Already I have corrected (I mean I have re-written) much of the first, second and third acts and so I have prepared for any final changes and “polishing” of the entire work that I can consider on the ship home and indeed rehearse for next year, also. Here I am seeing in this moment the quietness of a long pool on the river. At this time of the day this long pool has a surface still and reflective like a mirror or sometimes with green and gold colours like a painting. Naturally what is most important in the narrative (where I have been re-writing) is about glass, a mirror a picture: being here is like seeing the narrative itself! And now I am thinking of you smiling. I recall from your recent letter that you and our friends hope to again visit Bruges to see some of the ceremonies there. Writing those words in my letter to you encourages me to write ‘a Bruges visit’ directly in to the story that I believe is now completed. Writing the story has been so much easier simply because I am here and being here now is like being with you, my dearest!
I have “confirmed” my reservation to sail home next month. For now I shall rest a little and swim in the river and also entertain my Australian friends with some music on their piano.
My plan is to ride this week to Bellingen with my friend Chris: he lends me both horse and saddle. We shall ride on May 29, my twenty-second birthday and I shall post my letter to you from there. One year from now in 1920 when we are together in Germany I shall be twenty-three and “Die tote Stadt “(forgive me: I should write here “The Dead City”) shall have its first performance! I am certain this will be a wonderful success!
Dear One I have now the best surprise of all the surprises. Lying in my blankets at night or sitting by the campfire, I hear the amazing sounds of the rapids and from those “water spirit voices” I also have written one special and altogether new composition for this, my very best opera. The new piece of music will also carry a song for two voices: mostly for the female voice and also as a duet for the female and a male voice, soprano and I think, tenor. I have titled this “Marietta’s Lied” (I should write, “Marietta’s Song”).
This new song and the entire opera I dedicate to you, my love. I know you will love it as much as I love you and as much as I love the song, also: it is entirely your song.  
With all my love,
Your Erich Korngold. May 25 1919.
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SNIPPETS
November 30 2015. Eucalyptus barks began splitting and falling ten or twelve days ago. Recent thunderstorms and heavy showers have loosened and felled several trees, enabled dangerously large branches to fall. Along the road at daybreak swallows fly through the mist feeding on the wing. Small green frogs jump for their lives from the overlong lawn grass when I’m mowing. Three and sometimes four large crows now stalk the lawns following mowing: they first visit the kitchen scraps I leave in one location. A bronze coloured lizard has found its way into the house: it rattles playfully about seeking food and water. The bleeding heart leaf trees are flowering: the flowers are insignificant; their hard green seeds will satisfy brown fruit pigeons during summer. Insurgent midges patrolling the belvedere air ensure their dominion of the riverside sky. On the dampest of dusk evenings single fireflies lift off at house level and spiral upwards through the higher forest behind the house. The midges whir beyond my hearing but strident cicadas now make their presence felt; perhaps there’s a treaty, a Memorandum of Understanding between them? Though the native violets have been mowed they’ll flower again in about three weeks. There are areas not yet mowed where jacaranda flowers share the longer grass with smaller violets. Jacaranda flowers come but once a year. Jannelle and I planted the jacaranda seedlings about thirty years ago: the resultant trees look ancient now. Flame trees that we also planted are now as high as some eucalypts. In this humid and hot spring ticks attack whenever they can, even from above by manifesting in my hair. Small leeches move like terriers to attach themselves to moving legs and boots. How have ticks and leeches learned such skills or were the skills ready and waiting, inherent? The brightest and most healthy looking flowers are the indestructible impatiens (called balsam in my childhood. The impatiens flowers and bright blue orchid-like weeds thrive in sunlight in front of the high stonewall. A drongo flies out from riverbank cover to dip into the water and out again without stopping.  Thundery showers make lengthy patterns on the trunks of the high flooded gums. I stare at the fallen dead tree below the old campsite: how best to move the timber? Maybe use the barrow as lever and also transport? It’s too big. Maybe ask Pete to chainsaw it. Everything changes. The afternoon river comes chinking through the rapids, swirls into the pool in front of the house, runs winking to the downstream bend and fades to the green and gold of the forest.
*
With thanks to my guest writer, Pete Thompson. Best wishes and good health in 2016 to all readers from Don.
E: don883@bigpond.com
*
APPENDIX
Appendix One: Don Diespecker’s ebooks
One of my novels, The Selati Line, is a South African railway story, a mobile or even picaresque story and also a road story. Several of my novels start as if in the minds of fictive characters in airplanes (usually a Tiger Moth): somewhere up in the clouds above the Bellinger River.  The imagined flyer (usually a quite elderly person who once was a teenage young woman in the Air Transport Auxiliary) imagines the story unfolding in a place beneath. Happiness, for example, begins on the nearby Trunk Road between Bellingen and Thora and soon makes a second start on Darkwood Road (right outside the house where I’m now writing this). The Overview (a novella) starts in the air (directly above my house). The new sequel to Happiness, Success starts in the air, too. That most distinguished writer, the American James Salter (who once was a Korean War flier) uses the device of ‘the unnamed narrator’) to tell some of his stories: I like that notion and also employ a variation of it.
(1) Finding Drina is a light-hearted sequel to my two print novels (now also available as eBooks) published in one volume as The Agreement and it’s sequel, Lourenço Marques). Finding Drina is written in three parts and in three different styles that also are intended homage pieces (to GG Marquez, Ernest Hemingway and Lawrence Durrell); thus this little book is also meta-fiction (novella, about 30-k words).    
(2) The Earthrise Visits is an Australian long story set at Earthrise (about 20-k words): an old psychologist meets a young literary ghost from the 1920s (his girlfriend meets her, too) before a second old literary ghost, unaware of his spectral state, arrives unexpectedly.  
(3) Farewelling Luis Silva is an Australian dystopian long story partly set in Australia, Portugal and France (about 23-k words). A sniper meets an Australian Prime Minister, an old lover and a celebrity journalist; three of them meet a terrorist in Lisbon where there is a bloody assassination.
(4) The Selati Line is an early 20th century Transvaal train story, road story, flying story, a caper story and also a love story sequel to The Agreement and Lourenço Marques, lightly written and containing some magical realism. A scene-stealing child prodigy keeps the characters in order (novel, about 150-k words).   
(5) The Summer River is a dystopian novel (about 70-k words) set at Earthrise. A General, the déjà vu sniper, the Australian Prime Minister and the celebrity journalist witness the murder of a guerrilla who had also been an Australian university student; they discuss how best to write an appropriate book about ‘foreign invasions’ (novel, about 70-k words).  
(6) The Annotated “Elizabeth.” I examine and offer likely explanations as to why my uncle published a mixed prose and verse novel in which his mother is portrayed as the principal protagonist and I suggest why the book Elizabeth (published by Dick Diespecker in 1950) is a novel and not a biography, memoir or history (non-fiction, about 24-k words).   
(7) The Overview is a short Australian novel set at Earthrise (about 32.5-k words) and is also a sequel to The Summer River.   
(8) Scribbles from Earthrise, is an anthology of selected essays and caprice written at Earthrise (about 32-k words). Topics are: family and friends, history of the Earthrise house, the river, the forest, stream of consciousness writing and the Earthrise dogs.   
(9) Here and There is a selection of Home and Away essays (about 39-k words). (‘Away’ includes Cowichan (Vancouver Island), 1937 (my cabin-boy year), The Embassy Ball (Iran), At Brindavan (meeting Sai Baba in India). ‘Home’ essays are set at Earthrise and include as topics: the Bellinger River and floods, plus some light-hearted caprices.
(10) The Agreement is a novel set in Mozambique and Natal during December 1899 and the Second Anglo-Boer War: an espionage yarn written around the historical Secret Anglo Portuguese Agreement (1899). Louis Dorman and his brother, Jules, feature together with Drina de Camoens who helps draft the Agreement for the Portuguese Government. British Intelligence Officers, Boer spies and the Portuguese Secret Police socialize at the Estrela Café (about 62-k words). 
(11) Lourenço Marques is the sequel to The Agreement. Mozambique in September 1910. The Estrela café-bar is much frequented and now provides music: Elvira Tomes returns to LM from Portugal and is troubled by an old ghost; Drina and her companion return with an unexpected new member of the family; Louis faints. Joshua becomes a marimba player. Ruth Lerner, an American journalist plans to film a fiesta and hundreds of tourists visit from the Transvaal. Drina plays piano for music lovers and plans the removal of an old business associate (novel: about 75-k words).
(12) The Midge Toccata, a caprice about talking insects (inspired by Lewis Carroll’s Alice stories). This book has a splendid new cover designed by my cousin, Katie Diespecker (fiction, caprice, about 26-k words).
(13) Happiness is a short novel set at Earthrise. The ‘narrator’ is again the very elderly ex-ATA flier who unexpectedly meets and rescues a bridge engineer requiring urgent hospitalisation: she gets him safely to hospital in his own plane. She also ‘imagines’ an extension to her own story, one about a small family living partly in the forest and on the riverbank: the theme is happiness. Principal protagonist is a 13-years old schoolgirl, apparently a prodigy: she befriends a wounded Army officer and encourages his plans. Her parents are a university teacher and a retired concert pianist. The family pets can’t resist being scene-stealers in this happy family (novel, about 65-k words).
(14) The Special Intelligence Officer is part family history as well as a military history and describes the roles of my late grandfather in the Guerrilla War (1901-1902) in Cape Colony. The Guerrilla War was the last phase of the Second Anglo-Boer War (1899-1902). The title of the book is taken from Cape newspapers of the time: Capt Rudolph Diespecker was a District Commandant; his responsibilities included intelligence gathering that led to the capture, trial and execution of a Boer Commandant who was wrongly framed as a ‘Cape rebel,’ when he was legally a POW (Gideon Scheepers was never a Cape rebel, having been born in the Transvaal (the South African Republic,) one of the two Boer Republics (non-fiction, about 33-k words).
(15) The Letters From Earthrise, an anthology of my columns and other essays and articles written for the Australian Gestalt Journal between 1997 and 2005 (fiction and some non-fiction, about 70-k words).
(16) The Darkwood is a dystopian novel set at Earthrise in the not too distant future (about 80-k words). Earthrise is again central to other themes.
(17) Bellinger; Along The River is an anthology of personal essays relative to my home and the property, Earthrise, and the river at my doorstep (aspects and descriptions of the river, including flooding) (nonfiction, about 28-k words)
(18) Reflecting: an anthology of personal essays about the gardens, butterflies, a caprice, and other motivating factors at my home, Earthrise: mostly non-fiction (20-k words)
(19) Idling: is a collection of personal essays about seeing; a military history essay; a speculation about lawns; a working visit to Griffith University; periods of enforced idleness as “Don’s Days Out” in Coffs Harbour (mostly non-fiction; about 36-k words).
(20) Bear Fat A Memoir by Durbyn C Diespecker (1896-1977) with Notes and a Biography Edited by Don Diespecker. (This partial memoir that I’d invited in 1950 was written by my father between 1950 and 1969 and describes aspects of his life in South Africa, the UK and British Columbia, Canada; non-fiction; about 48-k words). 
(21) Love. Selected Stories is an anthology of short stories old and new. Of these narratives three are set or partly set in Bellingen, Dorrigo, and the Bellinger River Valley; others are set in Africa, Greece, France, Iran and Spain. “The Bellinger Protocol;” is a (magic reality) caprice. ‘Dragonfly’ is an interior monologue set in an imagined Vietnam; ‘Season of Love’ is largely interior monologue and set in the mountains surrounding Pilgrim’s Rest (then in the Transvaal. Several stories are fictionalized non-fiction (e.g., ‘A Circuit of Fields’ is excerpted from a non-fiction essay and set in pre-Revolutionary Iran) and most of the narratives derive from real people and real locales (about 36-k words).
(22) Success, a novel, begins in the air, gets under way in the familiar house on the Bellinger River, moves to Vienna and Paris and is apparently narrated by several writers including one or two who appear unnamed or unidentified. The story develops around Martha Haley, now in her seventeenth years and her new friend, Tom Pearce, a musical prodigy, aged seventeen: their parents are also in Paris (about 107-k words).







Thursday, August 27, 2015

The Earthrise Diary (Winter 2015)


THE EARTHRISE DIARY (WINTER 2015)

DON DIESPECKER

© Text, Don Diespecker (2015); guest writers retain their ©

There surely has never been such affection as there was between the two sisters. All the years they were apart they wrote to one another every week and when Elizabeth [and Dick] came to stay with us after Rudolph died and prior to returning to Canada, when she arrived they talked the whole night and never even thought of going to bed! Elizabeth wasn’t quite sixteen when their mother died [1882] and Harriett 22 so I suppose they grew very close to one another.
Joan Evard-Ray (letter to DDD July 1 1993)

LOVE: SELECTED STORIES is an anthology of short stories old and new (about 36,000 words). Of these narratives three are partly set in Bellingen, Dorrigo, and the Bellinger River Valley; others are set in Africa, Greece, France, Iran and Spain. ‘The Bellinger Protocol’ is a (magic reality) caprice. ‘Dragonfly’ is an interior monologue set in an imagined Vietnam. ‘Season of Love’ is largely interior monologue and set in the mountains surrounding Pilgrim’s Rest (in the era when it was in the old Transvaal). Several stories are fictionalized non-fiction (e.g., ‘A Circuit of Fields’ is excerpted from a non-fiction essay and set in pre-revolutionary Iran). Most of the narratives derive from real people in real locales.
Don Diespecker (April 2015)

SUCCESS: is a novel that lightly explores Love’s Roundabout diplomatically in Vienna, youthfully in Paris, Australians and Americans predominating (about 107-k words), my self-publishing blurb for SUCCESS)
Don Diespecker (August 2015)

[Joan Didion] once delivered a lecture called “Why I Write.” She began by pointing out that the sound you hear in those three words is “I, I, I.”
Louis Menand: Out of Bethlehem. The Radicalization of Joan Didion (THE NEW YORKER, August 24 2015) excerpted in Work in Progress and presented by Farrar, Straus and Giroux, August 2015)   


CHARIVARI

August 2015. I rarely dominate this blog with excessive references to myself but I’m doing it in this edition because it looks to me like a good idea. Also, I recently self-published a new novel and I’m feeling pleased with myself for having taken the time and made the effort, so a little self publicity in this Diary is good for my self-esteem. Selfish? Yes, sure, I’m the most interesting person I know! Reading books written by other writers, sitting in the winter sun, doing unrelated stuff other than writing my own novels all have their appeal, but there’s nothing quite as satisfying and pleasurable for me as my writing a book to completion. Also, quoting myself in Diary epigraphs seems harmless enough (and I’ve briefly described it in Creative Writing and my list of eBooks below: maybe SUCCESS would make an entertaining movie?). The Earthrise Diary is seen (and hopefully also read) in other parts of the world (for example in Canada, the USA, South Africa, the UK, France and Germany). Epigraphs and blurbs might therefore be considered as good PR as well as responsible advertising and possibly, also of some interest to readers of this Diary. 
I’ll begin with some back listed autumn notes.
 (MAY 2015). If you were here now, dear Diary reader, and perhaps not entirely familiar with the Australian seasons you might be thinking: “Summer” because I’ve begun drafting the Winter Diary on Tuesday May 5 2015 in the “last” month of our southern hemisphere autumn and the predicted temperature here today is 28˚C and that temperature certainly is summery. There recently have been hot and cold days, very wet days (and even a few snowy days way down south of here) and during this past weekend, May 3 and 4, the second East Coast Low has affected weather from Queensland’s east coast to southern New South Wales. There have been deaths caused by torrential rain and flooding and the destruction of properties, and the isolation of many more properties associated with the dramatic weather. There was also a so-called minor flood here on Saturday and Sunday, May 3 and 4. On Sunday morning I was exploring some damage to the riverbank here and was surprised to see a small black snake motionless in the garden. It was less than a half metre long. I bent down curiously and was tempted to pick it up by the tail (but resisted the impulse). Although the snake looked undamaged perhaps it had been knocked about by flood debris in the river. Eventually it moved slowly away toward Big Lawn. Last night, soon after midnight, I heard some scrabbling or scuffling and thought it would likely be a mouse or antechinus (the marsupial mouse) trying to come into the house or possibly trying to get out and sat up anyway and switched on a torch just in case there was a pesky snake muscling its way in for a night-time snack. As strange as it may seem I saw in the torchlight what looked like some two metres of snake hanging from a beam outside my bedroom and above the adjacent deck. Fortunately the snake had been and gone and had simply left its unwanted skin behind (a seasonal shedding). My seasonal thinking emerged for previewing as: this snake and perhaps others have mistaken the mild to warm weather as proper spring weather and they’re going to be both confused and seriously annoyed…
In other words, these sightings and intuitions have been parts of a False Spring (and presumably a consequence of global warming and climate change).
(May 9 2015) and I’ve been able to walk the road again without encountering any flooded bridges or traffic hazards (the Plain’s Bridge always clears soon after a flood simply because it’s higher; Richardson’s Bridge, the next one downriver, is lower and remains part flooded for a longer period). I noticed there were squashed frogs here and there and at least two small snakes: both road-kill, as we might ungenerously say. Frogs used always to reappear on the road or roadside after heavy rain or flooding but not always in this era and snakes large or small will occasionally in any season be caught on the road or killed by passing traffic, yet here again were road-kill squashed frogs and squashed small snakes and it’s still autumn. I returned and was stepping up from the road to my lawn when I saw the small snake I’d met days ago near the belvedere. Again I considered picking it up to see if it was injured (but didn’t). When I gently touched it with my boot it launched in to what seemed, again, spring fighting season or spring active mode. How strange is that? Perhaps this will all be well understood in the future, so despite this not being a breathlessly newsy story I’ll leave it in place for now. Playfully I imagine that if this Diary can still be read in 2115 some herpetologist historians might be tickled to read these modest words...
It’s now May 27 2015 and I’m cold, chilled, tired because it’s late in the day and I’ve been awake since 04:40, have driven to Coffs Harbour and returned in one piece (as well the still almost new Honda), have found sufficient dried wood to get the slow combustion heater unhurriedly going at its miserably slow pace (to be fair, this is a barn of a house for a relatively small and courageous little slow combustion heater being required to dominate a tremendous volume of cold air). Sigh. Now I’m reminded of exploring great palaces in Vienna and wondering at the big tubby apparently ceramic “stoves” in some rooms that were supposed to accomplish the palatial heating: I doubt they could ever have perfectly succeeded in those enormous inside spaces.
(May 31 2015). Farewell to autumn (or to fall as autumn is more generally referred to in Canada and the USA).
June 14 2015. Following gloomy days of frequent showers and dampness all around and mushrooms and toadstools squeaking with pleasure, today is sunny and mild (to 21˚) in spite of the forecast being for likely showers. Twenty-one degrees is unusual here in midwinter. No rain has fallen since dawn. Nice. Once the sun has got going and there’s good light I can see that the Japanese maple near the road is showing us what she’s got: her eastern flanks are nicely red or russet with a touch of yellow and each time I glance in her direction there is glorious colour. The colour on that eastern (river) side becomes more diffuse, more notable through the day. The tree although certainly Japanese-looking and of course is also North American looking, encourages me to perceive it also as a non-deciduous African thorn tree, one awaiting giraffes to breakfast on its laden branches or that will enable lions to snooze in its meagre shade following a night hunt and a tasty meal of wildebeest… It’s the shape of the tree that enables my misperceiving. It seems impossible for me to not see that, to not perceive it that way: it’s all in the sculpted (pruned) shape of its branches. On the way across the wet grass to the road for my walk I stop to photograph the maple (I’m facing east) because the old gingko on the riverbank grows straggly beyond the maple and the gingko is overall decidedly yellow or dare I say golden: almost of the leaves. The day continues mild to warm and even summery.  
June 15 2015. I swear there are more coloured Japanese maple leaves this morning than there were yesterday! Surely leaves take a rest at night? Or do they manage to colour while sleeping? Who can say?
June 16 2015. Gosh! All the leaves are now coloured: big patches that are orange (more or less) and other parts similar, but the hue brownish. Everything changes (especially while we sleep).
And here it is August! August used to be undoubted winter, but this time it’s now decidedly spring despite the False Spring dating back to May… See how everything changes?

August 17 2015. Yesterday I found a small plant growing wild in the winter lawn and prized it loose and then planted it next to the begonias. Plants here will often take root and get on with life without elaborate gardening procedures (watering, e.g.). Callous? No, time saving and experimental. And last night for the first time in weeks, there was some rain that was much needed. At lunchtime I responded to a springtime urge to get the mower out, half fill its tank and administer a spray can squirt of that remarkable invention, “Start Ya Bastard.” The mower started with a roar and I was able to cut widening circles around the Dogs’ Garden. I like mowing in spring or in a False Spring, which is what seems to be presently occurring here. That first spring mowing was very satisfying and is for me a movement meditation, unhurried and even heady (perhaps the exhaust smoke in my face contributes something to that experience). Thereafter I could glance through the window seeing apparent Crop Circles on the lawn. Nice. I won’t be surprised should passers by stop to photograph the Circles…
Novel Writing
In times past when I was a teenager I avidly read How To books and articles, especially those that inveigled would-be writers into their becoming proper writers, real writers.  Some of those writings were particularly directed at those scribblers wanting to be writers of novels… I suspect that in this era writers increasingly imagine their personal ways into composing narratives that any one of us may begin with an idea, a memory, an image or an urge, a something or other that we savor or relish or that we love. More lightly: we use our heads and access our hidden writers… We don’t have to have huge IQs or giant intellects or be inspired by a writer’s heritage or even by vanity. I write every day. I do this for pleasure. Pleasure! I can’t help it and pleasure is high on my list of Good Things, anyway. Also and before you sigh and move on to something less annoying or more palatable: writing, in my opinion is surely one of the best of therapies for most of us who are able and in whatever way to string words together. Writing comes from our experiencing of the world and is enabled by e.g., memory and imagination and a determined motivation to express some of what goes on in our individual psyches.  You can see your words appearing before you on the computer screen as you tap the buttons and keys, or you can see the words flowing apparently from the tip of your pencil or pen and impressing themselves on paper. Trust me, I was a fully trained psychologist, a fully trained psychotherapist in both Australia and America, license-eligible to practice in faraway California if I badly enough wanted to follow that distant path, but I used also to be a prize-winning psychologist in Australia who then in middle age became a university academic. Without boasting unduly I make the point because when I decided to enroll (part-time) for a BA as a mature age student (aged 32 and married with family) it was for one prime reason: by properly studying in a disciplined way English literature and psychology, I chose to believe that intention to study for a BA would surely improve my fiction writing ability and it probably did. I went on to complete a BA (Hon’s) and to win the Ward Prize for experimental psychology and later, gain a PhD. I had chosen to study psychology as useful for my writing, not as a career possibility. 
So what’s this got to do with writing novels? My answer: everything and nothing. I’m not in the least recommending that anybody reading this would be wise to follow the path I chose. We all make choices if we’re capable of doing that effectively, choices that will best serve us. I studied English and psychology as well as philosophy as parts of a plan to improve my writing. Some of what I learned and some of what I taught has been very helpful for my writing. In old age my writing is best served by my living quietly on a riverbank and partly in a forest in an odd pole house that my ex-partner and I built together in 1984/5. I’m still happily present and have lived here longer than I’ve lived anywhere else in the world. All of the materials I require for my writing are right here right now. There are the inspirational river, the majestic trees and a beautiful place in which to allow my imagination free reign. The most important of these is also the most vital: my imagination harnessed to many of the varied experiences of my life.
As somebody once observed: “With our imaginations we make the world.”
Editorial Writing (Mine, Yours, Ours and Theirs)
One of the cute things about being my own editor is that I can and do adopt Editorial Stances and I always triple-check my inclinations to do so from the dizzy heights of a soapbox. More often than not such drafts are filed in the round wicker cabinet never to see the light of day; occasionally a draft or part of a draft will be preserved for a while in “Diary Spare Parts.” I’m often reluctant to publish notions in a blog that look arrogant or irresponsible but I tend to make exceptions for prose that looks interesting and perhaps deserving of a second chance.
Sometimes editorial writing looks unmistakably like Hot Air, i.e., it’s merely my inflated opinion and as much as I might like some of the phrasing or exaggerated flows of syntax, if the words don’t communicate meaning, they’re probably not worth preserving. Lecturing to students in a university ‘stadium theatre’ sometimes is like editing in rarified air: as much as students may have learned a thing or two from my acquired teachings, I certainly have learned a great deal from bright students.
Stage fright will be a learning experience whatever else it might be. Being or becoming the half decent editor of anything, of any kind of narrative, hopefully will have benefited from our having acquired learning in for example university lecture theatres. In these places teachers and students interact and learn from each other. In such places all intending or proto writers, journalists and editors will be obliged to experience themselves working the high wire without a net. The ability to think clearly and to speak sensibly while facing bright students is paramount. Good places to practice these may be found in good universities where the teacher has the sense to enable students to do some of the teaching by encouraging their asking questions, making comments, discussing and directly challenging. To edit anything one needs to know something of everything, to have experiences of being in the world. 
I’m suggesting that the myriad experiences of life are a sound basis for teaching, for learning and for encouraging the critic within each of us. If any of us have mere opinions that can’t be supported by evidence or by experience then we’re not ready to teach or to edit: we have to first learn something about being a person. Learning from students will also benefit when we obligingly make transitions from consensus reality or ‘ordinary consciousness’ and use our cognitive abilities with enthusiasm.     

CREATIVE WRITING
August 8 2015. Last week and with the generous technical assistance of my friend, Kerry, I was able to self-publish SUCCESS, my quite long novel (107-k words) set principally in Paris and Vienna and in which two groups of characters/protagonists in those two places vie for page space in pairs of related chapters generally alternating in one location or the other. In other words, the narrative, the story is really two stories that appear to be merging. There also are perhaps unexpected asides to the reader and additionally there are the precocious actions and experiences of the younger characters and protagonists. As well, there are apparently several unidentified narrators… I wrote the book purely for pleasure. Writing books that might take years to complete has no appeal: I do the research, I make endless notes and I progress the dual story daily. Writing every day or as regularly as possible is very appealing. Taking breaks from long hours at the computer necessarily requires regular exercise or physical work (gardening, building walls, walking). Eating as well as possible and only when I’m hungry, sleeping four or five hours every twenty-four suits me, too. My only advice on writing creatively that may be useful to all writers: the way to work on my writing when I’m not writing is to not attempt writing in my head when I’ve more important matters to attend to (like other aspects of living, socializing, driving, cutting firewood). Multitasking has to be limited because it’s fatiguing. I write the narrative when I’m in front of the keyboard; when away from the computer I avoid obsessing about the developing narrative. I do my best when not writing, to leave the narrative to itself; I allow the story to mature, to ripen on it’s own. Fanciful? Yes, and yet everyone that writes may detect aspects here of an approach that will work for you.
Every writer will know that when we complete a day’s work and experience satisfaction, pleasure or happiness, we each will understand exactly what is needed to tell our stories in our own ways.
  
CLOSE SHAVING AND THE FIFO DARK MARAUDERS

DON DIESPECKER
Brush turkeys are frequent visitors to Earthrise. So too, are many other birds plus an occasional fox or a wallaby and possums at night behave as if they own the entire place Although many wild creatures do live on this 10.2-ha property (especially birds) local brush turkeys get a special mention for two good reasons: Earthrise is only one of the places they regularly visit; also, and because I see them arriving from elsewhere (they fly in from across the river) they obviously look like visitors because they live at a place (or places) that is not Earthrise. So many other birds and different other species are transients and are simply here for moments of foraging or browsing and then move on elsewhere. It’s nice of them all to visit and I enjoy their visits. The turkeys are welcome too, of course: it’s just that when brush turkeys visit they’re here to work, here to do a job. They’re annoyingly FIFO workers, Fly In Fly Out that studiously ignore the usual courtesies…such as workplace agreements, scavenging rights and such garden arrangements as might exist seasonally: they boldly behave pretty much like absentee landlords dropping in whenever it pleases them to. It’s invariably the manner of the turkeys’ arrival that demands attention and is frequently irksome. Sometimes there’s only one bird, quite often two of them. The purpose of the brush turkeys is apparently to browse the steep forested slopes behind the house. I use the term browsing loosely. In their quest for grubs and other such attractive edible prey these relatively large birds also unintentionally cultivate the soil by digging and fiercely scratching and turning over the ground’s surface, scattering and tearing aside loose leaves, forest litter and anything that they can methodically rearrange: actions that most often look like spirited raking. However, turkeys do much more of course: these engineering birds with powerful claws are most importantly also mound builders and their very large mounds are used to incubate their eggs. These cheeky flyers pay no rent, no tithing: Earthrise is for them an Exploitative Place (and I don’t really mind because I quite like their style).
*
I’m shaving in semi darkness at a time between first light and sunrise. I’ve not switched on the electric light: the gardens are always beautiful in this shadowy natural light despite the near darkness. I see across Big Lawn and beyond to the upstream bends. Big Lawn has been wild and wooly all winter. I never mow in winter. Winter allows flood-dumped seeds and tiny would-be colonizing plants the grace to grow free. Some of these surreptitious miniature plants mingle with native violets now flowering in winter. Whenever I’m outside I notice that these covert violets are frequently tiny enough to hide behind pink flowering clover and difficult to see. I know they’re there because I see them clearly at lunchtime when I sit outside, looking and seeing. As well, I can almost see these miniscule plants as glimpsed images in my mind whilst looking appreciatively through my bathroom window, watching and waiting for the sun.
Sometimes shaving before sunrise I see one and often two brush turkeys arrive for work. They come from across the river, sometimes Flying In from the middle of the Plain’s Bridge and often walking purposefully all the way and looking stately as though of the stockbroker class. They touch down at the riverbank-lawn-edge horizon or covertly climb to the lawn edge where they initially may appear near the weedy dahlia garden and suddenly, even awkwardly they pause there at once and as if in new personas looking uneasy, nervous or possibly embarrassed and I don’t know why. (I no longer chase them from spring-planted dahlia tubers that they used to enjoy digging up and that was years ago before I used chicken wire fencing; and the dogs could never catch them (intentionally, I like to think) and the four-footers now long gone to that great paddock in the sky. I pause to watch. This duo can’t possibly be Old School survivors of those dahlia days? That was years ago, fifteen or even twenty years past. They’re both so black and there’s something of the peacock in them, too. It’s not yet light enough to see the bare red skin around their necks or the yellow folded neck skin that’s like a bright wattle, either. That loose and colorful neck skin is as obvious as the dangling taster cup of the sommelier. What might these dignified birds be experts or managers of, at least when they’re relaxed and efficient? If they’re experts at anything other than mound building, it’s non-observance of the proprieties. The now hesitant turkeys remind me too of country folk sometimes at sea in the unfamiliar city and waiting for the lights to change to green. Perhaps it’s the house, for years painted forest green and now re-establishing its presence dynamically in white (with added blue trim). Are the turkeys apprehensive near white houses, Aegean-island-looking-houses? Are they playing a game?
Big Lawn has just received its First Spring Mow and perhaps the circles that I’ve mown around the Dogs’ Garden deter the birds because they’re increasingly nervous. I’d have thought that when the birds run and they’re about to do that right now they might be enjoying an enlivening run on safe ground rather than a frantic gallop as if charging the guns at Balaklava. The ground isn’t quite flat but it’s flat enough and sufficiently grassy for all creatures to safely enjoy: turkeys can see that the way ahead is clear and entirely free of snakes and goannas. There they go now, flat-out running as though in a race! Except that the mown circles seem to be of interest to them as does the low stonewall surround of the Dogs’ Garden: the glances aside, the checking of pace as though pulling at invisible reins. Something almost stopped them, some sightseeing thing! Perhaps they can see me, the shadowy figure forever poised, razor in hand, motionless in the dark bathroom? They’re safely across now, the broad corridor as I see it but perhaps it’s Close Shave Alley to the turkeys. Now the birds can securely pause almost out of my sight, the trees interceding. From the speed of that crossing you’d think at the very least they’d outsmarted a distant sniper.
And now that they’re on the other side of the lawn, they saunter astonishingly away, as languid as battle horses now at their ease in a lush paddock, and then turn to the hillside slopes and their morning work. I don’t get it at all: not that I need to, but I’d love to know why they don’t simply stroll across this particular area of grass in a civilized way. Somehow it must either be myself or be my house that perhaps over distance dominates Close Shave Alley: the turkeys seem intuitively to know what’s risky and what is not.    
Seeing is an experience I relish: we may see in real time and we also may see in review, later. Glimpsed afterthoughts and remembered sights are imaged in our minds. Standing shaving and seeing outwards through the glass and down to Big Lawn also enables those images acquired live in real time to accompany my viewing from up here in the dark bathroom. That’s surely a kind of magic, magic meaning more or less, “great powers.” I wonder, do animals and birds have that ability, that power: if not, why not?
Shaving I remember yesterday’s lunchtime view of Big Lawn from my sunlit garden chair. I remember allowing my eyes to wander over the great forest of wild lawn with here and there a single grass blade wavering or a long thin spiky lomandra leaf oscillating, just a single strand of each plant. I see those movements as images remembered. Standing shaving I also glimpse the remembered me at lunchtime yesterday sitting seeing what could be seen. I see as imaged, myself seeing: how I’d lean forward to see better something demanding my puzzled attention: a (possibly?) blue-tinged extremely high-speed flying insect darting brilliantly in the sun. This very fast aerial insect dashes, bobs and abruptly shifts in bursts of speed both horizontally and vertically. The tiny creature bobs and changes position so remarkably fast that my slow human eyes cannot ever see any of those abrupt and startling shifts that apparently instantly change its position. The insect flier is here in one moment and a meter or two away suddenly there. An aircraft would be torn asunder attempting such abrupt velocities, so too would human aviators surely be torn apart. This tiny springtime insect flier is a mere two or three millimeters in size at most. Not only can it fly superbly, it seems to move instantaneously up or down in space. The tiny creature seems as fast as a speeding bullet and can presumably dodge something as predictable as a slowly falling tree. How magical would that be?  
I know when I stand on the walkway of Richardson’s Bridge to watch the swallows that they’re seeing the world in what would be for me a very special way. The swallows move briskly at speed, dodging, banking, climbing, diving and hurtling through the spans beneath me, always unerringly.
And at lunchtime when much of the grass was dry enough to mow I brought the mower down and cut circular swathes around the Dogs’ Garden, toppling and tumbling the huge grass forests dear to the insect world, razing minute orchid-like lawn flowers and the tiny blooms of tropical chickweed.  
And now I’m remembering again the tiny high velocity spring bug that can move at lightning speed. I also realize that from force of habit I always place my chair where it’s least likely to be destroyed by a big branch falling from above. I invariably look up to see the array of Killer Branches or Widow Makers and then look to see the best direction in which to rise and then run speedily if I hear a branch cracking on high. I’m just as rational, perhaps, as the safety-first turkeys: Big Lawn might also be a Close Shave Alley for me, for anybody silly enough to ignore the overhead threat. I know that I have to be cautious when I sit near the belvedere’s big trees and I accordingly look up to see the great trees against the sky: high branches serve as my warning system. As for the FIFO worker turkeys: I still don’t yet know what it is that makes particular parts of the green sward that is Big Lawn such a dangerous challenge for brush turkeys. I don’t really need to know: I’m just curious to understand.     
     
KIN
DON DIESPECKER
The memoir below, was filed as “Gourdon, Sep 26 2000.’ © text 2000 and 2015 Don Diespecker.” The travels described were made in 1998 and the text has been lightly re-edited for this Winter 2015 edition of the Diary. One of the four principals in this memoir was my cousin, the late Gene Diespecker, who passed away in 2001.
In Easter 1998 I was in Gourdon with my Canadian cousins and our German friend, Ilse. Ilse greatly admires everything French and we all have a taste for the wines of the region, not to mention the food. Gene (now deceased) used once to be an Anglican minister; he later lived modestly with his family on a small farm in British Columbia and was also at that time a benevolent prison officer. His sister, Jill, is rare in our hugely dispersed family, having been a successful person in business, now retired, who lives in North Vancouver, British Columbia. Prior to retirement Jill together with her friend and colleague, Gill, directed a health and beauty enterprise. Ilse is a teacher, an historian, a scholar and author. I'm a retired academic, psychologist and psychotherapist, and have since learned that retirement is the busiest time of life; I was born in British Columbia and unlike my cousins, I grew up in South Africa and also have lived in the UK although I have lived for most of my life in Australia. 
Gourdon is an interesting old town though not nearly as interesting as many other old towns in a region that contains Lot, Périgord, Dordogne, Cantal and Auvergne. To wander through these landscapes is a joy. In ways reminiscent of longish sea voyages one is out of time, intentionally cut off and somewhat in retreat. A few days earlier we were in Bavaria in Diespeck, the town near Nürnberg that gave our family its name. We discussed much history and visited the old Jewish cemetery surrounded by oak trees up on the hillside. The cemetery had never been vandalised during the time of the Third Reich and the locals blinked whenever we said our family name because prior Diespecker families were pre-the Holocaust, the Shoa. In the cemetery there was a section dedicated to members of the Wehrmacht who had served in the Great War and I wondered whether contemporary locals considered that unusual. I also wondered how many German and non-German members of our greater family might have been shooting at each other during the Great War, as we used to refer to it in the era prior to World War Two.
Although I'd toured the region by car years before in 1957 it was the first time any of us had ever visited Gourdon and we made it our base for daily trips. There were features of the town that seemed almost familiar to us as strangers: the busy open market, the old buildings and the entire town rising above a mound that seemed a lively hub of humanity. Perhaps I'll revisit one day and repeat some of the tour. I remember the hotel with pleasure. It was nothing fancy and as with any French hotel that boasts a restaurant we were well served with good food and good wine. The clearest images I remember are dinner scenes: we'd look at the menu and think hard on the choices while the young waitress smiled understandingly because we were foreigners and a menu of delicious options in France can be a trial for anyone. I always make a quick choice because I think first impressions are surely worth something. While the others rolled their eyes and groaned I'd look about and was always touched to see that the evening dinner ritual was never disturbed by our intrusion. In some ways we perhaps seemed to be only partly visible to locals. I thought that was respectful. I remember a family that I first met on the stairs one evening. They were an elderly couple plus their married children with their spouses, a baby and a little black poodle. The poodle was clearly part of the family. At table the small black dog was perfectly tolerated and no one turned a hair when the dog sat up on a chair and received portions and tit bits with excited pleasure. I doubt anyone in that comfortably full restaurant saw that as remarkable, other than us, the obvious foreigners. We were after all the outsiders. The French are accepting and tolerant in ways I had never really appreciated when I was younger.  
I remember another thing about those dinners: how good sorbet can be at the end of the meal. One sorbet contained berries and that reminded me of the early 1930s during the Depression in British Columbia. Dad used to grow raspberries and loganberries in the back yard where they were trained up against the house and the garage and there were always late summer blackberries in the lanes. That remains true in North Vancouver, Jill reminded us: you could have a second breakfast walking those lanes.
We can't effectively compare a casual hotel meal in a French town with a similar meal taken in Canada or South Africa or Australia; the world isn't quite like that. And then I remembered another time on that trip when we were over in Burgundy, staying at a small hotel in Beaune. As was our custom at the end of each day we'd meet for wine and cheese before dinner. We were in my room and talking history and sipping red wine and taking bites of Cantal on leftover lunchtime baguette. I don't recall how it came up but there was a memory of wartime at Pilgrim's Rest up in the Drakensberg in the Eastern Transvaal where we once lived and I talked about those times. I was just a kid in those days but the older guys, the ones we admired because they made swing-out ropes over the swimming pool and knew everything about life--they soon went off to the War and most of them were killed in the Western Desert at much the same time. The entire village was stunned, I recalled and I choked on my words; my boyhood grief had lain waiting all those years and I was glad I was with family.
The long-ago War started me thinking about the river at Pilgrim's Rest, the Blyde. ‘Blyde’ pronounced more or less as blay-duh (and not as ‘blide’) means happy in Afrikaans. Pilgrim’s is in an alpine region of the so-called Middle Veld at an altitude of 1,310-m. Here in New South Wales, I’m a mere 50-m above sea level. I live in the bush and on the banks of a river, the Bellinger, that’s similar to the Blyde, although the Bellinger may flood in any month. Thinking on that reminded me of yet another far-off river, the Cowichan that hurried through the woods on Vancouver Island; the Cowichan is my primary river, the first river in time for me. We used to go up to the Cowichan on vacation even in the Depression years because Dad’s brother, Eugene (always “Jean” in the family), Jill’s father, had a cabin there and he kindly shared it with his four brothers for short vacations. We'd drive up in an old Graham Paige: Mom and Dad and Deirdre and me with our family pet, Wolf, a German shepherd. No one had much money in those days, but almost everyone seemed to own a car. The enormous trees made the woods gloomy except when the sun got through the canopy to the forest floor that was always damp and had a good earthy smell. Nearby was a rail track and logging trains went by regularly. The driver and the fireman would wave down to us from the enormous steam locomotive while we gathered wild blue berries, locally called Oregon grapes, in the bracken along the line.
The timber cabin was close to a cold-water creek and high above the river where we used to float on old inner tubes and swim or paddle and also fish for trout. The cabin walls were covered in coloured tracings of the best fish Dad and his brothers had caught when fly-fishing. Remembering the cabin now I can still imagine the smell of trout frying in a pan of butter that Dad sometimes prepared outside over a campfire.
In Africa the Blyde had long slow pools with rushes and reeds in places and there were shadowy parts that ran through black wattles as well as some white water rapids in places. The Australian trees in and around Pilgrim’s Rest, the Eucalypts and wattles, in and around Pilgrim’s, the Eucalypts and wattles, weren’t grown until well after gold was discovered in the 1870s but they always looked natural there in the high country. Near the river there used to be great plantations of so-called blue gums that were grown for timber props in the mines. Downstream there were rapids and then shallows with coloured gravels patterning the bottom. Some afternoons after school we would ride out to First Drift on our bikes (a drift is a ford). There's a rock shelf near the suspension bridge and we'd lie flat and peer down to watch rainbow trout hanging there in the current, waving their fins slowly in the clear stream.
In the Gourdon hotel restaurant Ilse and my cousins were discussing fish and I was eating mine almost without noticing. Then I realised something else: that when I was eleven years old and swimming in the Blyde and sometimes learning to fly-cast with Dad, our long-lost recently-found cousin Joel (now deceased) who was the same age as I, together with his family had been a refugee. The family was arrested in Spain then separated and gaoled until the end of WW2. They'd fled Germany and lived for a time in Marseilles before the War caught up with them; miraculously they were eventually freed and reunited and they all reached Palestine. Jill and Gene and I later went to Israel and met Joel and Sarah (now deceased); they lived on kibbutz near Jerusalem. Our 18th century ancestor, Rabbi David Diespeck was three times married. In the 1990s it was time for the descendants to meet each other and to try and figure out how we'd become so separated. 
Later that evening in Gourdon we sat talking about some of the places we'd visited. We'd been over to Cahors one day and wandered about the wet and windy streets. Later when the sun came out we walked across the big 14th century Valentré bridge: it's a stone bridge with high roofed towers and set above a barrage that pools the river. It's funny how one thing reminds me of another: that surprising stone bridge at Cahors is so old yet it looks strong enough to last for hundreds more years. The Joubert Bridge over the Blyde at Pilgrim’s Rest is also stone-built with big arches and barely a century old. I remember when we were about ten years old how Leonard Franck would sometimes climb up on the undressed and very uneven stones of the parapet and calmly walk across; he was the only kid game enough to do that. The low-level bridge next to where I live now in Australia is timber: all the timber bridges in the valley become submerged in floods and are sometimes destroyed; I saw the one here torn away and washed down in a 1985 flood. It was replaced, of course, but its successor is also vulnerable. Nothing is permanent.
I've just remembered another hotel-restaurant, at Souillac, and again the meal was excellent, but I remember it for a peculiar reason. The woman who served at table was always so busy in the crowded restaurant and she appeared to be eating on the wing: a succulent mouthful in the kitchen perhaps was a delicate clandestine cud as she swiftly served. I'd not seen that before and not since.  
All of that was in an early spring. When I think now of that tour, there are hundreds of images to choose from all of them poignant and beautiful. There was the winding road that led up into the hills between Brive and Souillac where it was cold and drizzly and as we drove higher there were sleet and snow showers. Early flowers bloomed in the falling snow and when we stopped for breaks the silence was eerie. While in Montignac we visited the nearby Lascaux caves. I once again sat in the big church at Montignac: it seemed unchanged in more than 40 years. And there was the old three arches stone bridge with its water level quay for fishermen. When the river rose, the long flat quay was submerged. The low quay was carefully designed, I imagine, and located in a sweeping bend of the river where it also prevented scouring. There's also a restaurant on the corner of the street leading away from Montignac to the caves where we all ate paté followed by entrecote in wine sauce and then sorbet. It's strange how some things again come to mind.  
I'm not a religious person; not a church-going person, being dismayed by organized religions although I won second prize for attendance at the Methodist Church Sunday school when I was about 11 years old. I tried hard but couldn't remember where or when I'd last been to any kind of church service other than marriage ceremonies (mine, for example) although I've wandered through hundreds of churches in many countries. When my companions suggested we all go to church at Gourdon on Easter Sunday I felt embarrassed and nearly didn't go. That was a most peculiar experience for me. I again saw in my mind's eye the kindly face of the long-ago Anglican archdeacon as he tried to persuade my mother to urge me toward communion; and I remembered how cross he became when she and I both turned him down. My mother's people were all Scots. Then I thought myself a hypocrite to have married, the first time, in a Church of England. My sister married a Christian Scientist, I recall, and her second marriage was to a Christadelphian. My great grandfather outdid us all: born Samson Diespecker, a Bavarian Jew who converted to Christianity when he adopted “Louis” as his first name (which I hadn't known until recently). He married my great grandmother, whose first name was Christian, in 1850 at St Martin in the Fields, London. Assimilation is a powerful thing. I often puzzle about our ancestry having been a secret in my father's family.
In the church at Gourdon that Easter it was damp and cold and there was a strong whiff of candle smoke. I followed most of the service although I didn't try to sing in French. I think the experience was probably more important for my companions. In some ways it was important for me too, but I was hardly present, if you know what I mean. Perhaps I was a little embarrassed in that place and because I'm an outsider I started thinking of something that wouldn't be embarrassing. While candles smoked and voices rose and fell around me I visualised the springtime view from my Australian house; it's a soothing experience that calms the mind. The surface of the river at all times is worth seeing. When you look down to the river there's a long stretch between the bends and there's often a wavering stab of blue on the surface reflected from the sky. Beyond that and downstream the top of the river is like burnished gold with a smear of light green along its surface. On the right side going down past the cool rainforest creek that I (used to) drink from it's a darker green. The shimmer in the middle of the stretch comes from the skyline top of the ridge against the sky where the setting sun behind me lights up big old trees bared from dieback. The whites and also the living greys of those old trees in the forest pour a meld of stunning mixed lights down to the surface. The picture of this is framed by straight bloodwoods close by and by some thin young flooded gums. There are hanging-over casuarinas along the banks down toward where some bedrock islands stick up proud of the stream and if you search hard you can generally see a duck or two far off or a cormorant drying its wings. I know it as a wondrous river, a river to dream on and to remember by.
Now I'm home again and France is far off, and it's again springtime here. It's been so warm and dry, perhaps too dry. The snakes are out and about. I've seen a young fox for three days in a row. As I drink breakfast coffee he ambles along the edge of the lawn on the riverbank. He has patches of black fur and looks oddly distinctive. There are fires all over the region now and the valley is often filled with smoke and that's a worry. Yesterday the morning was damp and grey but by noon a wind got up, one of those late westerlies we normally get at the end of winter. It was a cleansing strong wind and branches flew about like arrows, and then it died down and everything was still. The air was like crystal and I could see exactly what I'd been thinking on when I was in the church at Gourdon.   
I know we're never alone and barely separated, and if we're all standing on the earth somewhere we're surely connected even though Australia is the world's greatest island. Looking at the river now I'm wondering if I might again be more intimately in contact with my dispersed family were we all to dip our fingers in the water at the same time, in the river here, under a tap there. Then we'd all be in touch at the same time.

FAMILY HISTORY

Dear Reader,
Please read this opening par before moving on: you might have information or a suggestion that would enable the explanation of a perplexing Family Story that sometimes seems a mystery to many in our “greater family”. If you are a South African McGregor and perhaps descended from or related to the Harriett Foster Bradley (1859-1932) who married Alexander McKirdy McGregor (1852-1889) at Graham’s Town, Cape Colony, in 1883, I’m a grandson of Harriett’s sister, Ann Elizabeth Bradley (1867-1928). The mystery I refer to is quite recent: in 1908, Rudolph (who following his father’s example, was aka “Louis”) Diespecker (1858-1920) and Ann Elizabeth Bradley Diespecker, together with their five sons sailed from the UK to Canada as almost penniless migrants and traveled as far west as was possible. They settled in Victoria, British Columbia. The long journey was not easily undertaken: the sisters Ann Elizabeth Diespecker (always “Elizabeth” in the family) and Harriett Foster McGregor were Bradley sisters. Harriett, then a widow in Durban and Elizabeth were close and wrote regularly to each other. None of their correspondence seems to have survived: we (Diespecker cousins) have not been able to find any of Elizabeth’s letters to Harriett (or to anybody else). Might there be a McGregor who has inherited any of the missing letters, especially letters written by Elizabeth to Harriett?
I have guessed at the reason(s) for that long journey to British Columbia at a time when post Boer War/Guerrilla South Africa surely beckoned (and where Harriett and other relatives lived) and have discussed those speculations elsewhere (interested readers may find these in my eBooks THE ANNOTATED “ELIZABETH” and THE SPECIAL INTELLIGENCE OFFICER, listed below). Evidence that might be found in letters written by Harriett and Elizabeth would help explain why so many of Elizabeth and Rudolph’s descendents, like myself, were born in Canada rather than in the UK or South Africa.
Welcome to David Luke’s compilation of birth, marriage and death records re the McGregors and Lukes (see below). That document may also be relevant to the above “mystery”.
I include here another transcript of a hand-written letter taken from correspondence with my cousin, the late Joan Evard-Ray. The letter dated July 1 1993 was written at Kloof Rest Home, 40 Abelia Road, Kloof, 3610, RSA.
*
Dear Donald,
Thank you for your letter and all the enclosures. I take it you don’t want them back; if you do let me know. Not having any of these new instruments you will have to put up with my handwriting, never too good at the best of times!
Like you I don’t know when Alex McGregor arrived in South Africa and more unknown still is when and why his father, William, was here; I presume he must have come to work with Alexander. I know the old man owned land in Mossel Bay [Cape Colony] as there was a note from a lawyer there about a payment: the old man is in a photo I have & is wearing a wide-brimmed panama hat and looking like a Southern Plantation gentleman. I wonder if he was ever in America?
According to the book I read about Pauling (Kruger said that the PEA, the Portuguese East Africa [Mozambique] to the Transvaal border Railway) had to be laid by that consortium and the Transvaal would see about their own construction to their border with PEA). Harriett had her money stolen by a Durban lawyer: he had appointed himself executor of Alexander McGregor’s estate. Sir Thomas Tancred had just paid in 1,000 pounds sterling to the estate, a big sum in those days and when the lawyer died suddenly not long after, there wasn’t a bean left: the lawyer had gone through that and the rest of the estate (about 5,000 pounds). Alexander must have known Pauling in the Cape as he is mentioned in his (Alexander’s) diary of 1882. Unfortunately the diary is just strings of figures and specifications for buildings &c and he, Alexander, is also mentioned in Pauling’s book.  I think Alexander must have gone to PEA in late 1888. He and Harriett came back from a trip to UK just before July 1887 when a baby girl was born in KWT [King Williamstown]. [Alexander] was then already in Lourenço Marques when Harriett was awaiting the birth of my Mother, Buntie, in KWT in 1889. [Note that Buntie was a lifelong nickname: her real name was also Harriett, after her mother; there were two Harriett Foster McGregor’s, mother and daughter]. Two [family] addresses in KWT were Thomas Street [from 1887] (where the baby was born) and Turbine Lane from where she [‘she’ is, I think, Elizabeth Mary Atherden Carly Bradley, my maternal great grandmother. DD] was buried December 1888. The Municipal Offices were very helpful when I was there in 1942. Grahamstown on the other hand just couldn’t be bothered. There was an old photograph on the verandah of a house in KWT, right on the road, and all the family hanging over a picket fence: great grandfather Edmund, my grandmother and grandfather, your grandmother (Ann Elizabeth), Uncle Willie, Uncle Frank and my Uncle Edmund as a baby (must have been 1884). As a family they all kept together and always moved as a body, Grahamstown to KWT and KWT to Durban.
If only you had been interested earlier there was so much I could have sent you. There were two beautiful studio portraits of Elizabeth [Ann Elizabeth Bradley Diespecker] taken not long before she died that I destroyed though of course you may have them, or Deirdre. Did you know her  [Ann Elizabeth] nickname was Snub for the obvious reason: she had a snub nose? She was apparently very sensitive about it and any photos had to be taken at just such an angle to minimize it! Harriett’s nickname I regret to say was Fatty, also for the obvious reason: both she and Elizabeth were very big women.  There surely has never been such affection as there was between the two sisters. All the years they were apart they wrote to one another every week and when Elizabeth [and Dick] came to stay with us after Rudolph died and prior to returning to Canada, when she arrived they talked the whole night and never even thought of going to bed! Elizabeth wasn’t quite sixteen when their mother died [1883] and Harriett twenty-two so I suppose they grew very close to one another.
Harriett was one of the foundation scholars of the Diocesan School for Girls in Grahamstown in 1874. I think she always said her name was always on the school register, preceded by Maud Ayliff. You will have seen Rev Ayliff’s name on the list of Good Templar office bearer’s you sent me. She was very happy there and could always tell me stories of her school days. On the other hand Elizabeth was very unhappy there; later the Wesleyan Church opened their own Wesleyan Girls’ school and she transferred. I don’t think that school lasted very long. The Cape Government must have taken it over as it became Victoria Girls’ School and I think it is now part of Graham College. I wonder if she went to school in KWT. I don’t remember hearing anything about it.
Rudolph and Elizabeth must have had a very short courtship: Alexander [McGregor] died in Durban in December 1889 and Harriett had come up to be with him (probably she had to go back to KWT, pack up and bring all the family up with her so that surely wouldn’t have been before February 1890 or so, and then Rudolph came to Durban to start everything off! I always understood seeing Harriett was just a side issue of the visit. I wonder what the real object of his visit was? I can quite think that R & E went by ship to LM [Lourenço Marques, now Maputo], only an overnight journey. It would have been the easiest and more or less the only way of getting there except overland by ox wagon; the railway from here to Johannesburg certainly wasn’t laid by then, nor the Transvaal to Portuguese East Africa [Mozambique] [line].
EDB [Edmund Durbyn Bradley] certainly was never in Kimberley: he stayed in Durban with Harriett until he died in 1897. If Elizabeth ever went it would have been after she married. Also, I had never heard of them being in UK in 1897. (1) Don’t forget that your father was born at Sabie in September 1896 so I can’t think that that is correct. Both Denny and Louis were born in Harriett’s house in Durban.
All I know about Jimmy (James) Diespecker [James Edward Lance D, son of Jules (Rudolph’s elder brother (2) was that Harriett looked after him and it was because of him being treated with laudanum for the dysentery that my Uncle Alec [McGregor] nearly died. He had a cough so Harriett told him to take some cough mixture (to encourage her children to take any medicine she apparently always pretended she couldn’t take it but they were big and brave and they could). She was just in time to see Alec pour a big dose of the laudanum and when she shouted to him not to take it he promptly did and they ran around and around the garden throwing water over him at one corner and giving him black coffee at the next and so on until he was so full of liquid he couldn’t swallow any more! However, he survived. As you say, Jimmy’s mother must have died very young; I often wondered why Harriett was asked to take care of him. (3).
I went through the Huguenot records: dozens of volumes in the Guildhall Library in London but found only one ‘Durban’: Anthony Joseph Durban son of John Durban by Margaret his wife and born at Montauban, France (Naturalization Act presented to the Lords 1706-7, January 31), but whether he was anything to do with us I don’t know. I went to Montauban last time I was in France in 1982: a new town down by the railway and the old township on the hill. Not speaking French I couldn’t do anything about information and not knowing how they keep their records I just had to leave it There were even earlier Huguenots, weavers who settled in Canterbury (there were several Durban’s there) and there is still a Huguenot church service of a Sunday afternoon in the Cathedral and in French! The earliest Durban I found was a Peter Durban, a shepherd, French-born and dwelling at Athorn in Kent, married to an Englishwoman denization1-7-1544, that was pre-Huguenot I think.  Though I can’t imagine him being an ancestor nevertheless I find the old records fascinating. The records of St Mary and St James, Dover, were really an eye-opener: a woman found dying under a hedge and all the poor babies born “the wrong side of the blanket” and if they died having to be buried outside the graveyard! The good old days! However, this is all a digression. I also went twice to the County Records Office in Maidstone, Kent: one time they were quite helpful; the second time, very much on their dignity and said I would have to make an appointment! The same happened to me at Canterbury Cathedral: the first time the Librarian relented and I spent a couple of days there having to book a place from one day to the next. When I was going to the UK in 1986 I wrote from home and said I was expected to be in Canterbury on the 1st of December and wanted to see the records of St James and St Mary and was astounded when I arrived at the Library to find the huge volumes all waiting at a place booked for me! One has to book a table from day to day: the place is always full. If you could find an agent who reads that old script it would be interesting to see how far back the Atherden’s went.
I think definitely it isn’t Elizabeth’s writing in that letter: if I remember, she had a very angular writing and not so big as that of the letter: if you had written prior to 1989 when I tore so much up. She sent me some lace when I was born and the note that came with it is still intact. Did you know that Elizabeth dealt in lace (4)? Presumably it was to make some money but whether the first time she was in Canada or the second (the first time after Adstock was sold?) I have often wondered how Rudolph lost his money and Adstock had to be sold?
A lot of this will be of no use to you but one thought leads to another and I can just go on and on (a really garrulous old lady) but you have no idea what pleasure it has been to me to write all this for you!
Thank you for the news of the family. I am pleased Carl is working again. I note you say you are happier by yourself; so am I. I was never intended to live with other people; I sometimes wonder what the hell I am doing here, but needs must!
I hope all of this reaches you safely: as I said I have had everything photocopied and I shall keep those. Some of this will be of use to you I hope.
Affectionately Joan.
Editor’s Notes
1.     Elizabeth and Rudolph and their sons, Denny, Louis and Durbyn (b Sept 1896) spent several months in the UK in 1897 (a Jubilee Year).
2.     Prudence Nicholas (granddaughter of Jules Diespecker), together with her son, John-Henry Nicholas now thought to be resident in the UK (August 2015).
3.     James (“Jimmy”) Edward Lance Diespecker was born March 10 1888 in Kimberley, Cape Colony (his parents were Jules and Mabel Evelyn Theresa Diespecker). James also worked with Rudolph Diespecker on the Selati Railway (Transvaal) and later served in France during the Great War. 
4.     The 1912 edition of Henderson’s Victoria City Directory includes “Mrs A. Elizabeth Diespecker as the proprietor of The Real Lace Shop (331 Douglas Street” noting that this address is also her home address). Louis C Diespecker (clerk) at E. Crow Baker is also listed as living at 331 Douglas Street, as is Rudolf [sic], clerk at the Royal Bank in Victoria, B.C. Note also that the 1910-11 (Henderson’s) City Directory lists A E Diespecker at 1214 Broad St and living at 831 [sic: should be 331?] Douglas Street. The entry that follows is to “Diespecker, Rudolph, mining engineer,” living at 331 Douglas Street. (Henderson’s Victoria City Directory photocopied pages by courtesy of Rik Diespecker).  Elizabeth’s signatures, first as witness to her sister’s marriage to Alexander McGregoron in 1883, and second, on her marriage certificate, are the only examples I have of my grandmother’s handwriting. (DDD August 2015). Note also: that the first of the edited/transcribed letters written by RSD to Elizabeth and privately published by Rik Diespecker in 1991 as “Diary of Rudolph Diespecker, Dec 4 1909 to Jan 30, 1912, ” is dated December 4 1909 and that it was written at Millerton, North Dakota. Subsequent letters were written at Niagara Falls, Ontario, Dec 7), Leigh Valley, NY, on board the Whitestar Line’s ADRIATIC Dec 8 1909, at sea Dec 11 1909, disembarked at Plymouth Dec 16 1909 and following a short time in the UK, RSD then sailed to South Africa from the UK, a passenger on the RMS NORMAN. RSD reached Cape Town January 4 1910. The last of those letters was written in the Transvaal, January 30 1912.

THE McGREGOR FAMILY FROM SCOTLAND TO LANCASHIRE TO NATAL
DAVID LUKE

1820: William McGregor born in Glasgow, Lanark, Scotland. Parents: John McGregor and Jane Ross.
(Date approximate. Sources: Scotland Census 1851 and Cape Province Death Notice, 1880).
(No birth record found in ScotlandsPeople; parents names from Death Notice 681/1880).
1821: Jean Hamley born in Glasgow, Lanark, Scotland.
(Date approximate. Sources: Scotland Census 1851 and England Death Index).
(No birth record found in ScotlandsPeople).
1841: 5th Dec: William and Jean married in Glasgow.
(Imaged original banns from ScotlandsPeople).
1848: John McGregor born in Rothesay, Bute, Scotland.
(Date approximate. Source: 1851 Scotland Census. No birth record found).
(Name “John” lends support to name of William’s father).
1851: 30th March: Resident at 13 Bridgend Rd., Rothesay, Bute, Scotland. (With John (3).
(1851: Scotland Census. Imaged from ScotlandsPeople).
1851: 1st November: Alexander MacGrigor (sic) born. Rothesay, Bute, Scotland. Baptised 31st Nov.
(Image of original in Statutory Register; ScotlandsPeople).
1858: 31st October 6hr20m a.m.: Flora McGregor born.  Rothesay, Bute, Scotland. Father: Mason.  
(Image of original in Statutory Register; ScotlandsPeople).
1861: 7th April: William (38), Jane (38), John (14), Alexander (9) and Flora (2) resident at 32 Columnshill St., Rothesay, Bute, Scotland.
1861: Scotland Census; Image from ScotlandsPeople).
1864: 14th January, 3h0m a.m.: Thomas Stewart McGregor born. Rothesay, Bute, Scotland. 13 Columnshill Place, Rothesay. Father: builder (Mason). Mother formerly Heamly [sic].
(Ancestry.com and Scotland select Births and Baptisms, 1564-1950 and image, ScotlandsPeople).
1871: 2nd April: William and John (both Stone Masons) resident in Barrow, Lancashire, England, as “lodgers”.  Jane (44) [sic], Flora (12) and Thomas (7) resident at 34 Delf Lane, Kirkby, Lancashire as lodgers. An Alexander McGregor (Stone Mason) was resident at 12 Taylor’s Court, Bootle Street Manchester as lodger. (Some doubt, as his birthplace is given as Argyleshire, Scotland).
1871: England Census. Images from “Ancestry.ca”
1873: 2nd Q: John McGregor died in Barrow. Age 25.
(Death index: Ulverston 8e 501).
1873: Nov/Dec: William McGregor sailed to Cape Town on the “Syria”. Apparently going to Port Elizabeth with a party of Stone Masons, apparently unaccompanied by family.
(South African Passenger Lists eGGSA. Transcription).
1874: 4th Q: Flora McGregor married William Luke in Barrow in Furness, Lancashire, England. Witnesses do not include McGregor family (copy of original marriage certificate).
1875: 4th November. William Alexander Luke born in Barrow-in-Furness (copy of original birth registration).
c 1875: William McGregor moved to Mossel Bay, Cape. He bought a plot of land and bought or (probably) built a cottage. He and his business partner built the Second Dutch Reform Church (copy of his will and other probate documents) (Web tourist site for Mossel Bay).
1877: 4th Q Jennie McGregor Luke born in Barrow-in-Furness (recorded as “Jane”, this varied throughout her life).
(Free BMD Birth Index: Barrow-in-Furness, v8e p832).
1879: 5th February, family sailed to Cape of Good Hope on SS Conway, disembarked at Mossel Bay. Passengers were “Mrs McGregor” (mother Jane), “Mr A. McGregor” (Alexander) “Mr W. Luke” (William), “Mrs Luke” (Flora, sister of Alexander), “Miss Luke (Jennie) and “Master Luke” (William Alexander).
(Transcript by: Trisha McLeod. From British Mail 01 Mar 1879.)
1879: 17th September: Flora McGregor Luke born at Aliwal, Cape of Good Hope. Baptised 31st, October at St. Peter’s Anglican Church, Mossel Bay. Sponsors were Alexander McGregor, Jane McGregor and Flora Luke (mother) (Image of Parish record).
1880: 5th September: William McGregor died at Bedford, Cape. Aged 60.
(Transcription of Death Notice DN 681/1880 (Will and disbursements both on file).
1881, 3rd April: Most of the family was back in England. But not Alexander. Flora (mother) and Jenny [sic] (3) and Flora McGregor Luke (1) were visiting (friends?) in Newbarns, Barrow Lancashire.
Jane McGregor (60) and William (Alexander) Luke (5) were visiting Henry Luke, (Flora’s brother-in-law) and family in Clipstone, Nottinghamshire; they were joined by Jane’s youngest son Thomas (17) (No evidence that he ever went to South Africa).
No record of William Luke (Flora’s husband).
(England Census 1881, images).
1883: 28th February: Alexander McKirdy McGregor married Harriet Foster Bradley in Grahamstown, Cape. He was resident in Keiskamahoek and listed his “Profession” as “Construction”.
This was the first time the middle name “McKirdy” appeared. He later signed Alexander McK or Alexander M. His Death Notice did not record the “McKirdy”. No trace of the original family name that he chose to add, presumably to distinguish himself from other Alexander McGregors. There was at least one other in the Eastern Cape at the time.
(Photocopy of the original register supplied by Don Diespecker).
THE EVENTS RELATING TO ALEXANDER AND HARRIET’S LIFE FROM THIS DATE ARE WELL DOCUMENTED IN THE NOTES OF JOAN EVARD-RAY AS TRANSCRIBED BY DON DIESPECKER.
1891: 1st Q: Thomas Stewart McGregor (William and Jane’s youngest son) married Alice Holt in Barrow-in-Furness. Alice was born in Barrow in 3rd Q 1861, to Thomas Holt (1833-1914) and Jane Stables (1834-1912). Thomas and Alice McGregor had 5 children: Thomas (b 1894), Alexander (b 1896), William Luke (b 1897), Flora (b 1900) and John (b 1902). Jane (Thomas’s mother) went to live with them.
1900: 1st Q: Jane McGregor (78) died in Barrow-in-Furness.
1925: 3rd Q: Alice McGregor (64) died in Barrow-in-Furness.
1940: March: Thomas McGregor died in Barrow-in-Furness.
A NUMBER OF McGREGORS ARE PRESENTLY LIVING IN BARROW-IN-FURNESS.
RETURNING TO THE LUKE-McGREGORS:
1882: 20th April: Henry Luke (later Henry Stuart (baptism in Durban in 1892) or Henry Stewart) was born to Flora and William in Exning, Newmarket, Cambridgeshire, England. This was the home of William’s brother, then a rich jockey. The informant was Flora, on the 15th June. William’s occupation is given as “stableman”. (So William was in England in the 3rd Q of 1881, perhaps he did go back to England with the others in 1881 and was missed by the 1881 census.
(Document image, baptism: on file).
1886: 16th June: William (now in Durban working as a groom employed by Mr. E. Shepstone, Esq.) applied to “The European Immigration Board“ for assisted passages for his wife (30) and 4 children. His application was approved in August. He paid £12 per passenger.
(Document images on file).
1888: 5th June: Lilian Luke was born to William and Flora in Durban, Natal. (She was the only daughter who was not given the middle name of McGregor).
1888: 15th August:  Lilian was baptised at St. Paul’s Church, Durban (Church of the Province of SA: from an image of the original parish record).
1888: 17th August: Lilian was buried at St. Paul’s, aged 10 weeks (image of original Parish record).
1889: 20th November: Alexandra McGregor Luke was born to William and Flora in Durban (image of original parish Baptism record).
1891: 21st April: William Luke died.
(eGSSA library, transcript of newspaper. On file.)
1891, 9th August: Katherine Alice McGregor Luke was born to Flora and the late William.
(eGSSA library, transcript of newspaper. On file.)
1892, 16th May: Henry Stuart Luke, Alexandria (sic) McGregor Luke and Catherine (sic) McGregor Luke were baptised at St.Paul’s Church in Durban.
(Image of original parish record)
1901, 31st March: Jennie (McG L) is in England with Ann Elizabeth Diespecker (Bradley) and her 4 boys.
(Image of England Census and much detail in Earthrise Diaries)
1903: 26th November: William Alexander Luke married Rosa Sarah Kent-Smith at St. Paul’s Church Durban, by license. His occupation was “traveller” (JMcGL (his son) said he was a salesman for a liquor company). The witnesses were not family members, for some reason (image of original marriage certificate from parish register).
1904: 17th February:  Jennie McGregor Luke (26) married Herbert William Brook (24) at St. Cyprian’s Church in Durban.  Her address was Enfield Rd, Durban. His occupation was “electrician”. Witnesses were H.S. Luke (Henry Stuart, her brother) and Flora McGregor Luke (her sister) and a Kent-Smith (her brother William’s wife’s family). Married by license.
(Image of original marriage certificate)
1910: 10th December: Henry Stuart Luke married Constance Emma Thorpe, a widow (born Cowlwell) by license by a Marriage Officer, in Durban. Witnesses were not family. (This is odd since he had been a witness at the other family marriages and which were in church. A possible reason is that she appears to have been Roman Catholic) (image of original marriage certificate).
1911: 9th August: Katherine Alice McGregor Luke (20, a minor) married Herbert Walker (40 by birth certificate, but claiming 36 in later documents) at St. John’s Church, Durban. His profession was given as “Mining Engineer”.  Witnesses were H.S. Luke (her brother) and an A.P. Brook (?), (image of original marriage certificate).
Between about 1911 to 1913 Flora Luke and 5 of her children, 2 sons-in-law, a daughter-in-law and 4 grandchildren all immigrated to New Zealand.
The exception was the oldest son, William Alexander, who remained in Durban and moved later to Harrismith, with his wife (Rosa Sarah Kent-Smith) and 4 surviving children (twins and a son died as infants).
THE KNOWN FACTS ABOUT THE McGREGOR LUKES THAT DESCENDED FROM WILLIAM ALEXANDER LUKE WILL BE THE SUBJECT OF A SEPARATE NOTE. (The writer, David McGregor Luke, is one of them.)

                                                                           

Downstream from Richardson's (Aug 2015)

DON DIESPECKER’S EBOOKS
One of my novels, The Selati Line, is a South African railway story, a mobile or even picaresque story and also a road story. Several of my novels start as if in the minds of fictive characters in airplanes (usually a Tiger Moth): somewhere up in the clouds above the Bellinger River.  The imagined flyer (usually a quite elderly person who once was a teenage young woman in the Air Transport Auxiliary) imagines the story unfolding in a place beneath. Happiness, for example, begins on the nearby Trunk Road between Bellingen and Thora and soon makes a second start on Darkwood Road (right outside the house where I’m now writing this). The Overview (a novella) starts in the air (directly above my house). The new sequel to Happiness, Success starts in the air, too. That most distinguished writer, the American James Salter (who once was a Korean War flier) uses the device of ‘the unnamed narrator’) to tell some of his stories: I like that notion and also employ a variation of it.
(1) Finding Drina is a light-hearted sequel to my two print novels (now also available as eBooks) published in one volume as The Agreement and it’s sequel, Lourenço Marques whereas Finding Drina is written in three parts and in three different styles that also are intended homage pieces (to GG Marquez, Ernest Hemingway and Lawrence Durrell); thus this little book is also meta-fiction (novella, about 30-k words).    
(2) The Earthrise Visits is an Australian long story set at Earthrise (about 20-k words): an old psychologist meets a young literary ghost from the 1920s (his girlfriend meets her, too) before a second old literary ghost, unaware of his spectral state, arrives unexpectedly.  
(3) Farewelling Luis Silva is an Australian dystopian long story partly set in Australia, Portugal and France (about 23-k words). A sniper meets an Australian Prime Minister, an old lover and a celebrity journalist; three of them meet a terrorist in Lisbon where there is a bloody assassination.
(4) The Selati Line is an early 20th century Transvaal train story, road story, flying story, a caper story and also a love story sequel to The Agreement and Lourenço Marques, lightly written and containing some magical realism. A scene-stealing child prodigy keeps the characters in order (novel, about 150-k words).   
(5) The Summer River is a dystopian novel (about 70-k words) set at Earthrise. A General, the déjà vu sniper, the Australian Prime Minister and the celebrity journalist witness the murder of a guerrilla who had also been an Australian university student; they discuss how best to write an appropriate book about ‘foreign invasions’ (novel, about 70-k words).  
(6) The Annotated “Elizabeth.” I examine and offer likely explanations as to why my uncle published a mixed prose and verse novel in which his mother is portrayed as the principal protagonist and I suggest why the book Elizabeth (published by Dick Diespecker in 1950) is a novel and not a biography, memoir or history (non-fiction, about 24-k words).   
(7) The Overview is a short Australian novel set at Earthrise (about 32.5-k words) and is also a sequel to The Summer River.   
(8) Scribbles from Earthrise, is an anthology of selected essays and caprice written at Earthrise (about 32-k words). Topics are: family and friends, history of the Earthrise house, the river, the forest, stream of consciousness writing and the Earthrise dogs.   
(9) Here and There is a selection of Home and Away essays (about 39-k words). (‘Away’ includes Cowichan (Vancouver Island), 1937 (my cabin-boy year), The Embassy Ball (Iran), At Brindavan (meeting Sai Baba in India). ‘Home’ essays are set at Earthrise and include as topics: the Bellinger River and floods, plus some light-hearted caprices.
(10) The Agreement is a novel set in Mozambique and Natal during December 1899 and the Second Anglo-Boer War: an espionage yarn written around the historical Secret Anglo Portuguese Agreement (1899). Louis Dorman and his brother, Jules, feature together with Drina de Camoens who helps draft the Agreement for the Portuguese Government. British Intelligence Officers, Boer spies and the Portuguese Secret Police socialize at the Estrela Café (about 62-k words). 
(11) Lourenço Marques is the sequel to The Agreement. Mozambique in September 1910. The Estrela café-bar is much frequented and now provides music: Elvira Tomes returns to LM from Portugal and is troubled by an old ghost; Drina and her companion return with an unexpected new member of the family; Louis faints. Joshua becomes a marimba player. Ruth Lerner, an American journalist plans to film a fiesta and hundreds of tourists visit from the Transvaal. Drina plays piano for music lovers and plans the removal of an old business associate (novel: about 75-k words).
(12) The Midge Toccata, a caprice about talking insects (inspired by Lewis Carroll’s Alice stories). This book has a splendid new cover designed by my cousin, Katie Diespecker (fiction, caprice, about 26-k words).
(13) Happiness is a short novel set at Earthrise. The ‘narrator’ is again the very elderly ex-ATA flier who unexpectedly meets and rescues a bridge engineer requiring urgent hospitalisation: she gets him safely to hospital in his own plane. She also ‘imagines’ an extension to her own story, one about a small family living partly in the forest and on the riverbank: the theme is happiness. Principal protagonist is a 13-years old schoolgirl, apparently a prodigy: she befriends a wounded Army officer and encourages his plans. Her parents are a university teacher and a retired concert pianist. The family pets can’t resist being scene-stealers in this happy family (novel, about 65-k words).
(14) The Special Intelligence Officer is part family history as well as a military history and describes the roles of my late grandfather in the Guerrilla War (1901-1902) in Cape Colony. The Guerrilla War was the last phase of the Second Anglo-Boer War (1899-1902). The title of the book is taken from Cape newspapers of the time: Capt Rudolph Diespecker was a District Commandant; his responsibilities included intelligence gathering that led to the capture, trial and execution of a Boer Commandant who was wrongly framed as a ‘Cape rebel,’ when he was legally a POW (Gideon Scheepers was never a Cape rebel, having been born in the Transvaal (the South African Republic,) one of the two Boer Republics (non-fiction, about 33-k words).
(15) The Letters From Earthrise, an anthology of my columns and other essays and articles written for the Australian Gestalt Journal between 1997 and 2005 (fiction and some non-fiction, about 70-k words).
(16) The Darkwood is a dystopian novel set at Earthrise in the not too distant future (about 80-k words). Earthrise is again central to other themes.
(17) Bellinger; Along The River is an anthology of personal essays relative to my home and the property, Earthrise, and the river at my doorstep (aspects and descriptions of the river, including flooding) (nonfiction, about 28-k words)
(18) Reflecting: an anthology of personal essays about the gardens, butterflies, a caprice, and other motivating factors at my home, Earthrise: mostly non-fiction (20-k words)
(19) Idling: is a collection of personal essays about seeing; a military history essay; a speculation about lawns; a working visit to Griffith University; periods of enforced idleness as “Don’s Days Out” in Coffs Harbour (mostly non-fiction; about 36-k words).
(20) Bear Fat A Memoir by Durbyn C Diespecker (1896-1977) with Notes and a Biography Edited by Don Diespecker. (This partial memoir that I’d invited in 1950 was written by my father between 1950 and 1969 and describes aspects of his life in South Africa, the UK and British Columbia, Canada; non-fiction; about 48-k words). 
(21) Love. Selected Stories is an anthology of short stories old and new. Of these narratives three are set or partly set in Bellingen, Dorrigo, and the Bellinger River Valley; others are set in Africa, Greece, France, Iran and Spain. “The Bellinger Protocol;” is a (magic reality) caprice. ‘Dragonfly’ is an interior monologue set in an imagined Vietnam; ‘Season of Love’ is largely interior monologue and set in the mountains surrounding Pilgrim’s Rest (then in the Transvaal. Several stories are fictionalized non-fiction (e.g., ‘A Circuit of Fields’ is excerpted from a non-fiction essay and set in pre-Revolutionary Iran) and most of the narratives derive from real people and real locales (about 36-k words).
(22) Success, a novel, begins in the air, gets under way in the house on the river, moves to Vienna and Paris and is apparently narrated by several different writers including one or two who seem unnamed or unidentified. The story develops around Martha Haley, now about sixteen years old and her new friend, Tom Pearce, aged seventeen: their parents are also in Paris (about 107-k words).
Thank you to my guest writer, Professor David McGregor Luke, and with my best wishes to all Diary readers, from Don. don883@bigpond.com