Tuesday, July 31, 2012

The Earthrise Diary (JUly 2012)


                                   The Earthrise Diary (July 2012)

© text Don Diespecker 2012; individual © is retained by authors whose writings are included in this text.

           Ah, fill the Cup: --what boots it to repeat
           How time is slipping underneath our Feet:
           Unborn TOMORROW, and dead YESTERDAY,
           Why fret about them if TODAY be sweet!

           From Edward Fitzgerald’s translation of The Rubaiyat of Omar Khayyam XXXVII

 July 28 2012. In some ways it’s been one of those months, otherwise, July has also been interesting and even exciting. The weather as expected has been cold and wet—and also has been mild and sunny at times. The excitements and stimulations of the Master Class in Brisbane linger pleasantly and continue to inspire a swag of writings that demand much time and energetic imagining—and remembering.
Red cedars in the neighbourhood have leafed and are looking surprisingly pink. Like the flowering wattles certain trees start leafing or flowering in the winter well ahead of spring. I’ve noticed that for a couple of weeks now when driving to Coffs Harbour the wattles are flowering along the highway. I love the smell of flowering wattles and like to put my face close and close my eyes when I sniff that intriguing scent—not that I’ve been doing that on busy highway drives, but I’m reminded of my first acquaintance with flowering wattles in South Africa when I was young—and that distant time has nagged again at memory because I’ve been writing essays about rivers and those scribbles include the Blyde running through Pilgrim’s Rest (blij originally in Dutch and now bly in Afrikaans, meaning “happy”). And I was a happy kid in the old Transvaal most of the time. Mindfully running through some of that imagery in turn reminded me of inviting members of workshop groups to discover what their sense of smell might evoke: almost anything will evoke imagery featuring scenes or experiences from the past when sniffed with one’s eyes closed: the smells of the busy forest, a musty curtain, a sinle bloom of the dark red Joyce carnation.
And at the end of July there’s plenty of leftover anxiety as a consequence of some deep dark problem in the mail department of the computer’s software: my otherwise wonderful Turing machine began resisting my attempts to reach my Inbox (let me give Turing credit for his ideas that eventuated in our being able to use computers that might have seemed miraculous in his day). Not being able to access email is maddening. It’s just as well that we aren’t all zipping about in interstellar space vehicles and dependent on faultless performances from our onboard computers: we might otherwise never reach our destinations nor ever again see the beautiful blue planet we call home. When my computer’s email becomes inaccessible due to a perverted gizmo beyond the computer (at the so-called server) that behaves as if protecting my computer from access by the world and I have no control over that misguided ‘over-protection’ I’m stymied: I need expert assistance. Ironically I’ve been permitted to send emails, but have not been allowed to receive any. I managed to contact my computer teacher, KS, who with his partner has sensibly removed from the madding crowd to another part of the country—on holiday—and where they were so far away as to be virtually in another country. K was in the Kimberley in distant WA, more or less, where the scenery was admirable but the conditions for communications were less so. K’s advice: it would take too long to sort it out by phone; therefore, get the machine to the computer fixer-uppers in Coffs Harbour. –And that’s what I did.
The uncomplaining machine was disconnected from its wires and cables, tenderly carried to the carport and strapped into the back seat of the Honda (the Honda perhaps enjoyed its company and I suspect that the pair of them on such occasions perhaps develop rudimentary (or, who knows, perhaps very advanced) ways of sharing information… (‘What’s up, little Mac?’ ‘Alas, Big Fella, my email Inbox is compromised.’ ‘Yeah, I hear there’s a bit of that going around. Hang in there, little buddy and we’ll get you to the electronic techs.’ ‘Will they respect my frailty?’ ‘Sure they will—or I’ll ensure that the three of us will drive into the fixer-uppers without benefit of their front door.’ ‘Oh!’).
Long story short: I booked the Mac in to the repair shop on Saturday morning, July 14 and coughed up the required $50 toward defraying costs and to keep the Mac in the queue. As there was no chance of the queue diminishing for days I chose to take the machine home again and to use it to complete work on an essay. (The old Honda was perhaps impressed by our speedy return to the car; I left it to the Mac to explain). The reader may begin to suspect that machines in my care are influenced in ways that are anthropocentric, but I’m not yet sure about this because we humans tend to invent parts of the future by writing stories.
July 29 2012. On July 18 the Honda and I navigated the return to the fixer-uppers where I left the Mac to wait her turn and where she was surrounded by enough other computers to launch vehicles to the moon and beyond; she wouldn’t have been in any sense alone, but it was a wrenching moment for me, her driver. No matter how lightly I might write about computer separation I suspect I’m not the only computer driver in the world who has come to depend on these powerful machines. It’s bad enough having to kick my heels for most of a day or even a half day in Coffs Harbour while the Honda receives an expert servicing from the dealers: it’s hellish to not have any access whatsoever to the Mac for a week or more. We are way beyond mere convenience and the requisite partial dependency on computers: it is as if we have chosen to become enslaved to the extent that we can no longer live independently apart from the machines. A USB flash drive or whatever they’re called is a backup, reassurance, even a talisman and a protector, but nothing beats one’s own computer solidly sitting on the worktable and efficiently keeping us In Touch not only with The World, but with the thousands of words of Stuff that may be called to duty at the press of a button: entire drafted novels, a swag of essays, family histories, innumerable documents of varied otherness. Sigh.
By July 25 I was twitching in every fibre and desperate: how would I pay bills that may now imminently be presented to me via the Mac? I planned to be in Coffs Harbour (to shop) and telephoned the fixer-uppers: would my machine be fit for duty if I were to visit during the early afternoon? There was a good chance, I was told, although my poor Mac had only just received pre-med and been prepared for theatre in the last half hour. I took the chance. I would at least be close by and on hand if she was likely to be in recovery by early afternoon. Naturally she was not quite out of danger when breathlessly I visited. No, there was no point in my hanging around and fretting. Yes, Majok or Matthew would phone me, perhaps tomorrow, or if and when. I lurched back to the Honda, a victim of my emotions and began the homeward journey.
At this point I beg to explain that although the Honda can get from the home stable to the fixer-upper’s door in about one and a quarter hours without blowing a gasket or collapsing in a heap, applied stoicism if not heroism is generally required by the Honda’s carer-operator to help by guiding us both over Darkwood Road and the bridges (sections of this rural road are horrible and hellish, to say nothing of the reprehensible driving by some of our rural lost souls and the bitumen ends at Richardson’s Bridge; also, parts of the metalled road near my place appear as if shelled or mortared, the craters now filled with murky water); and there are seven river and two creek bridges between home and the Trunk Road at Thora. For those who came in late the Bellinger is a most beautiful example of a serpentine river (criss-crossed by Darkwood Road). Nobody can ever be bored in the Darkwood. Those of us who live upstream of Richardson’s must grin and bear the dangers of needing to use these unsealed parts of the road (I think of myself, suddenly, as a member of the Unsealed Ones).
I reached Earthrise just a little frazzled and after tenderly stroking the warm exterior of the Honda and offering words of comfort—as one would warm down a favourite riding horse—I tottered over to my house, slumped across the threshold and crawled up to the kitchen for a strong cup of Assam tea, a dash of milk, no sugar. Three gulps later I reached feebly for the phone: there was a message. I listened to Majok’s polite voice and learned that the Mac had just been fixed and was expectantly awaiting her driver. Urgently I called Majok back. What time would they close? About 5.30-ish. I advised I would be there on the fixer-upper’s doorstep, quivering. And I was, all in good time. I rescued my Mac and brought her home. I had returned a second time to home and beauty, stepping very discreetly over the muddy patches and the slippery stones with the Mac in my arms. I divined that the Mac and the Honda had enjoyed each other’s company and I was very happy indeed: I had crossed and recrossed the Bellinger and tributaries 36 times that day (40 if I include the high bridge on the Trunk Road at Thora), the Mac was soon reconnected to her favoured wiring and power source. Darkness was falling and my unfinished cup of tea was cold, but the Mac and I (and not forgetting the old Honda) were home safe, again.
                                                                   *
The temperature now is 18˚, the same as yesterday, but yesterday was cloudier and there had been a breeze that caused the red cedar leaves to bob and sway; today was a little warmer. Both days found me at the back of the belvedere at lunchtime, furtively reading; I have so much on my plate that I’ve felt guilt-ridden if I haven’t spent every waking moment playing catch-up and frantically herding words: the Diary, re-thinging essays and re-submitting some to flinty-eyed unknowable editors at new destinations, endless notes to myself, the new draft of an essay on my adventures in Iran years ago, old diaries and letters to find, and map research in my big Atlas; draft emails to friends, transferring photos from camera to Mac, axing firewood, laundry, dish-washing, remembering to eat. –And walking. The river level is lower: some of the phenomena seen down at Richardson’s Bridge can now be partially seen here at the Plains Bridge (sunlight projecting images through the water to riverbed stones).
To get to sleep I imagined some of the restaurants and dining rooms of long ago: there was the tourist-class dining saloon on the old Gerusalemme, a Lloyd-Triestino vessel that had been a hospital ship in WW II (in 1950 I saved the price of the fare—more than 50 pounds but less than 100 pounds—to travel from Durban to Italy. The tourist class was filled with young and old from everywhere; most of us were young and carefree and if I remember correctly, it was also the time when the Korean War started. The food was wonderfully Italian (a variety of pasta and other dishes) and included at no extra cost were carafes of red wine at lunch and dinner. I began my long flirtation with red wine.
I also remembered low-cost (medical) student restaurants near the Odeon Metro in Paris, the table waitress who used to chuck a damp cloth to whoever sat furthest away and the table was progressively wiped clean. The same waitress would come boldly down from an upstairs kitchen holding balanced in her arms and atop one another all our plates of dinner: Strassbourg sausage or rice or beef stew.
And I remembered innumerable ‘teahouses’ (chaikanas) in Iran that were often in the middle of nowhere, what we might now think of as truck stops and where a plate was always piled high with fluffy white rice, a skewer of kebab and a big square of white ghee and sometimes a raw egg as well and if it could be found outside, a sprig of something green: young blades of wheat and possibly grass on occasions—and in one such place where there was little else but the ‘teahouse’ and desert sand and scrub and a mountain, we were assisted to climb the rock-face base of the adjoining mountain to uncomfortably see ancient rock carvings depicting warriors and weapons and the mighty Darius ((522-486). –That was Behistun in western Iran and on the rock-face, there was a cuneiform inscription in Old Persian, Elamite and Babylonian that provided a key for the decipherment of cuneiform in other languages (the rock carvings are enormous and dangerously high (about 100-ft) above the ground and the artists/stonecutters removed a convenient viewing ledge before leaving the site more than 2,000 years ago: the panel is 15-m high x 25-m wide. Brilliant art perilously made and displayed—what other eatery on Earth could boast that a stone’s throw from the ‘restaurant’?
In snowy Sarajevo: rich spicy meat dishes—lots of meat—and a roaring clientele and the restaurant filled with smoke and laughter during that ‘austere’ time in the old Yugoslavia in the mid ‘50s: somehow we were included in the most friendly way. And somewhere in Denmark in the 1950s in a small country town Pam and I joined the Sunday Lunch locals when the main course was new potatoes in their jackets, butter melting overall and the casseroles hot and steaming—and where we were made welcome: those new potatoes made a delicious main course.
 
Creative Writing

Welcome to visiting writers: my cousin Jill in Vancouver, British Columbia; my friend Russell Atkinson who lives in Bellingen, NSW, and my friend and psychologist colleague, John Morris who lives at Kiama, on the South Coast of NSW. –Each of us, I’ve just realized, are retired from the busy marketplace. The theme this month has enabled my guests to focus on vehicles.

                                                The Gas Gauge
                                                                                                                      Jill Alexander

 One day last month my friend Signe and I headed off to my cabin for a few days. The cabin is situated in the foothills of Mt. Baker, not far from the Canadian border and on the U.S. side in Washington State. Our plan was to spend a day at an outlet Mall several miles down the freeway from the city of Bellingham, the closest city to the cabin. We headed out in Signe’s car, a 2002 Honda CRV. She loves her car and has mentioned on many occasions that it has never let her down. I took her on an isolated route I knew through back roads and lovely farm country. We felt as though we were in the wilderness, as we saw only an occasional farmhouse and passed only one car. Signe made a couple of comments in passing about her gas gauge and how she thought it hadn’t moved much since we’d left the cabin. All was well until the car shuddered and came to a stop. We soon came to the conclusion that the gauge had been stuck and we were out of gas. The skies had opened and it was pouring rain. The car was well into the road so we put on the 4-way flasher and worked at remaining calm. This became more difficult when we realized there was no cell phone reception. After about 20 minutes we saw a car approaching. It passed us and then stopped and backed up to see what was wrong. A very friendly and kind young couple said they would try on their Smart phone and see if they could get through to BCAA. After several tries and lots of static they finally got through and were connected to the local AA. Miraculously their phone was able to bring up the exact location of our car to pass on. We were told that there might be a 90 minutes wait as the AA driver was on another call. So we said goodbye to our Good Samaritans and sat in the car out of the rain. Signe and I have known each other for over 50 years so we soon were reminiscing about the past and events we tried to remember from our nursing and university days. The time went quickly and exactly ninety minutes later the truck arrived with two gallons of gas and directions for us to the closest gas station. Two hours later we arrived at the Mall and carried on with our plan as if nothing had happened. On our way home we stopped for dinner at a pub close to the cabin called the North Fork Brewery, Pizzeria and Wedding Chapel. The owner is a minister from some obscure spiritual church who brews this great beer, cooks the best pizzas and occasionally puts out a sign that reads: “Closed. Wedding in session.” 
Our little holiday ended with a few days of walks, reading, listening to music and playing two-handed bridge, all around a roaring open fire in the living room.

     Jill Diespecker Alexander is a retired nurse and business owner and is presently writing her life story.
 jillalexander@shaw.ca
                                                             *
                                                      Clive’s Bike

                                                                                                                       Russell Atkinson

After some argument I removed all the valuables from my pocket and put them on the curb. “Look here Clive, I’ll swap you this tree frog, bunch of keys and these beaut marbles for a ride on your bike to the bottom of the hill”. This removed all of Clive’s objections. Promises to his parents about not letting anybody, especially me, borrow his new bike were overlooked.
As I swung into the saddle to begin my heady descent a chill churned my guts and a presentiment moved behind the happy anticipation of a speedy downhill, no-hands, wind-whistling ride. I don’t remember much after that or before it. 
Reports varied, but the consensus opinion was that the front wheel of the bike was flipped at right angles to my descent by contact with a stone and I was catapulted into the air like a rocket. Maybe twenty feet up according to one startled witness 
The first part of the hurtling body to hit the road was the skull. It was a heady ride indeed. Concave fracture of the scull with a star fracture on the left side; assurances to my parents by the doctors of my immediate demise; months comatose in Manly Hospital; assurances to my long-suffering parents of a miracle at my survival but dark hints of permanent damage. Distraught, Mother enlisted the aid of a Christian Science healer, who had a word to God about the situation. For some obscure reason inscrutable Providence decided to heal my cracked skull and start me once again up the long winding road.  
Slowly the visual and auditory senses wavered back into some semblance of a world. Like a newborn baby I learned to put it all together again. Of course, having done it once was a great help, though it has often occurred to me that whatever was learned prior to the ride has had little effect after it. So without my being a Christian I contrived to having been twice born. I was thirteen. The year was 1943.
Being born at all is the first error we all make, but being born at the start of the Great Depression is an added error of bad timing.
So it is that hearsay, a few blurred memories and a photograph or two testify to the fact of my presence on the planet prior to the event that became known in the family as Russell’s Accident. It was pronounced in capital letters to distinguish it from all the other accidents.

     Russell Atkinson is a much-published author (books and articles on   Hindu philosophy, memoirs, and aspects of naturopathy).
     E: theako@westnet.com.au
     Blogsite: www.theoldestako.wordpress.com
                                                                   *
                                                The Beer-Sodden Rover

                                                                                                                              John Morris

   Melbourne—cold and wet—late lecture at the Uni of Melbourne. I have an hour before Money and Banking ll (maybe in today's terms MB 2010). I look at my watch—mmm—5.30 pm and lecture at 6.30 so I have to wait an hour before I can get into the warm Public Lecture Theatre (now there’s an oxymoron if ever there was one). The PLT is freezing at this time of year but less freezing than outside.  Generally it’s warm enough for me to nap intermittently while Sammy Weller (aged Professor of Economics) discourses on the pluses and minuses of the gold standard, and Greshams's Law. 
But wait—some relief is at hand—in the late afternoon I generally craved a beer and maybe because that craving lay in my money and banking sub conscious I recalled that a can of Fosters possibly lay in the boot of my car awaiting some crisis such as this to leap into the here and now. 
The car in question was my new Rover, a car I had saved for and denied my wife and myself the fruits of my long and subservient employment with the State Government of Victoria. I fondly imagined that I was the envy of all other motorists and that they would be so impressed on confronting my prestigious vehicle they would immediately grant me right of way.  I was in the habit of sneering at those with Holdens and Fords and even the little monsters from the Morris Garage (MG's) which were all the rage at the time This fantasy gave me relief from the ever-present acknowledgement that I was indeed a lowly servant of the public at a wage that was to be truly sneered at and that I aspired to being well above my current station in life.
Be that as it may, this quite upmarket machine, one from the great days of British motoring almost certainly held the highly prized can of beer in its bosom. So I gathered my poncho around me (stolen from the quartermaster of the Melbourne University Regiment during my days as an anti tank gunner) and dashed through the rain to the car near the Union Building.  Had I any inkling of the pain to come I would certainly have chosen a non-alcoholic libation at the Union Caf. 
   Leaping into the car to avoid any further drenching I found the can tucked away in the boot.  Sadly, it had lost its chill and was in an almost lukewarm state, doubtless due to its proximity to the exhaust pipe. I was not deterred.  Now, in those days there were no such things as a can which came with a built-in opening device or tab to pull and so the thought came starkly "How the f ... am I going to be able open this thing?” The chill of the late afternoon and the beating of the rain against the windshield and the need for momentary alcoholic respite from the reality of my position at the bottom of the employment ladder ensured that my basic plan was not jettisoned. Beer cans at that time were made of steel, not aluminium, and constructed so as to require more than ordinary force to access the contents A lever with an arrow-shaped cutter which was clamped onto the rim of the can was what was needed.  Unfortunately, on this occasion it was as unobtainable as was a high grade for me in M and B II.  Finally, my mind traversed through the contents of the car toolbox searching for viable tools and/or procedures for opening obdurate cans of Foster's Lager. Then I all but shouted, "Voila!" "Ecco!" "Yessss!" The image of an available hammer and screwdriver emerged from the thought bubble.
Of course it was too wet and windy to open the can outside of the car and so I sat the can on the car floor, positioned the head of the screwdriver on the centre of the can and gave it a decent whack.  But this was an extraordinarily resilient can.  The screwdriver just bounced off the tough steel top of the can.  So I whacked the driver again and again until the resisting metal succumbed and rewarded me with the hiss of escaping gas. I was ready for another whack but my vision was obscured by the   cloud of beer vapour issuing from a tiny hole I had managed to pierce in the can. The cloud increased in intensity.  I had lost control of the situation.  It was impossible to either get the screwdriver to widen the hole and it certainly could not be plugged. I had become the victim of this colourful application of the laws of Physics that had to do with the pressure inside and the pressure outside of a container, the temperature gradients applying, and the contribution of the tiny orifice at the centre of this micro disaster. The contribution of my own stupidity did not escape me. 
Now dear reader, my colleagues, a jealous bunch, had often suggested that my car was no more than a middle aged, middle class vehicle. While these observations hurt I clung to my complex of superiority. However, while its fittings and performance were of a superior kind it did have an Achilles Heel. It had been designed with a grey felt lining that matched the colour of the upholstery.  No thought had been given to the propensity of this material to absorb toxic evil-smelling beer vapour.  The fabric dealt with the misty beer spray as a cobra deals with a mongoose. Not one square foot of the lining was denied its full share of the Foster's Brewery product.  I winced.  I swore blue oaths. I cried and invoked all manner of gods and demons to ward off the full realization of the consequence of this tragic moment. The car, in my eyes, was now all but worthless.
There was no way the car could be restored to its former glory. I tried everything I could think of including ammonia, desiccated lemon peel, onion and garlic puree, new car spray, and several full cans of toilet deodorant.  There was no way to reduce the smell. It had become a built- in feature of the car. I got to the stage where I did not even want to drive it to work fearing I would be contaminated and my puzzled clients would seek other counsel.  The sneer value of my chariot had evaporated but the beer had not.  The jealous colleagues who later travelled with me would sniff the odd perfume and feigning innocence would enquire as to its origin.  I was cut to the quick when one passenger exclaimed, "What the hell has been going on in this car?" Ladies were too polite to draw attention to it and thereby elicit what might be a very embarrassing response.  I usually played dumb and usually deflected the proffered insults and asked, "Is it that noticeable?" One bright spark advanced the notion that the smell closely resembled that of a Hong Kong Brothel at the peak of the hot season.  His acquaintance with the low life in Hong Kong might be questionable but the accuracy of his statement was not.

John Morris spent a heap of Catch 22 years in the Regular Air Force and Army and retreaded to do the same thing in Departments of Psychology in several universities.
John presently resides in Kiama, NSW, contemplating the vicissitudes of life and the vagaries of the Tasman Sea.
vk2bes10@bigpond.com

                                                                             *
Next Month: Diary readers are cordially invited to write about an experience in a well-remembered eatery or eateries: "An unforgettable eatery experience (cafĂ©, teahouse or chaikana, diner, coffee shop, self-serve, restaurant or banqueting hall) where you ate an unforgettable meal--anywhere in the world. Unforgettable may mean something wonderful or something awful..." I’ll be pleased to include such writings in the next (August 2012) Diary if you will kindly send them to me as email attachments.  don883@bigpond.com
July 30 2012. It goes quickly, doesn’t it? I sat in the sun again at lunchtime today. The sun was pleasantly warm. I read more of Wallace Stegner’s Crossing to Safety. I like his style. The story is set in 1937 and is about two couples that meet and become good friends; each of the husbands teaches in the English Department of an American university; one of those protagonists narrates the story. Good writing and good thoughts between the lines. It’s an American Classic.
Earlier this month I also read Ian McEwan’s Enduring Love, an unusual story and a page-turner. The author’s language is clear and sharp—he has a way with words and puts the right one always in the right place. The plot focuses on a peculiar and troubling psychological condition. A good read.
On reflection: I now realize that I need help in several departments. I’ll have to have access to a 24/7 IT trouble-shooting genius computer fixer-upper, at least one versatile gardener who can double as chauffeur at times of stress (mine, not his or hers) who also is a motor mechanic, Also, I’ll need a cook/house-maid, a scullion, a genius or comprehending person who understands Income Tax forms and has the ability to complete my Return without needing to ask a single question of me, and a gamekeeper or two with expertise in chiding restless brush turkeys and probably bandicoots that overdo hole-digging in what otherwise I could call ‘my lawns’ and prevent possums from playing Extreme Catching Games at night across my steel roof. Additionally I’ll require  a physiotherapist/osteopath/ENT specialist/cardiovascular specialist, and a bodyguard to watch my back and protect me from fishing eagles, wild dogs, giant goannas and water dragons and bad-tempered poisonous snakes in the dangerous garden.

Time to go. Thanks to Jill, John and Russell for permission to include some of their writings. Be well, all. Best from Don.



Thursday, May 31, 2012

The Earthrise Diary (May 2012)


                             THE EARTHRISE DIARY (May, 2012)

                                                                                                 Don Diespecker
      
© text Don Diespecker 2012; individual © is retained by authors whose writings are included in this text.

Movement, simple movement, is perhaps the greatest mystery of the universe.
                                                                                           RH Blyth: Haiku
      

A Note On The Brown Butterfly, Dear Readers: I took umpteen photos of the wee beasties; I crept, stalked, pounced and bounced about the sunlit garden and although I captured some weird images of my shadow and quite a few of the butterfly (different individual butterflies on different days unless there was just the one that was hogging the limelight) their images are almost impossible to see. The last of these failed attempts is the one that may appear at the start of this May Diary. I’m looking at it now. The butterfly is right in the middle of the frame and it’s parked on one of those dreaded tropical grasses with the indestructible root systems (I call it ‘blade grass’). The butterfly is facing to the left, downward. The shadow of the butterfly on the hairy grass leaf indicates the animal’s resting posture: each wing more or less up. I think the port wing is in the way but at least you should be able to see most of the starboard wing markings: a dot and a half and a longer blob. The real colour of these wing ‘roundels’ is close to pale yellow (sometimes straw-coloured) yellow. The real colour of the butterfly’s body is brown. I’m a terrible failure as a butterfly image-maker. Sorry!

(Earlier in May) I was walking down Darkwood Road early one Sunday morning and having passed and counted the eight horses in the Happenstance long paddock I saw in the distance a number of parked vehicles near the Tyson’s Track (I think it’s called) that connects Dorrigo with the Valley (the Track is navigable by foot or by trail bike). Aha! I thought: are these guys horse rustlers? If so where’s their big truck?
I’ll brazen it out, I decided, and walk boldly on. I was close to one of those monstrous 4-WD urban attack vehicles when I suddenly became aware of a young woman striding vigorously toward me. I veered out of her way. She quickly climbed into the 4-WD, grinned down at me and said, ‘They’re all on a ten-stage walk to a point on the coast.’ I grinned back and said what a fine day they had for it and pressed on; it was then that I saw there were several more big vehicles (none that would accommodate horses, though) and a large group of walkers or hikers complete with back packs—and that they were all more or less of my vintage. When I reached Richardson’s Bridge I paused to stare reflectively and see the flow and was soon joined by the lead walkers or pathfinders. The walkers were in no hurry; naturally they stopped and we chatted. They assured me that they were not about to complete all of the remaining stages in the one day. One member of the group referred to the neighbourhood as paradise. ‘Please don’t tell anyone,’ I begged. It was good to chat with these fit-looking walkers. We exchanged a hug or two and parted on good terms. There would be no horse duffing today. (Later, when I’d decoded some information on websites I decided that my walker friends were on Stage 3 of their journey: Diehappy (State Forest), up Orama Road to Horseshoe Road and Scotchman’s Peak). –Names such as Diehappy and Scotchman’s are the ‘authentic’ names of forests in this area and are so marked on many maps.

(Later in May) having completed my reading of Simon Winchester’s Yangtze River book (much of that reading in clear light in the garden) I want to hurry down there again because the light is even more perfect than it was yesterday. These relatively dry and very clear autumn-almost-winter days are rare enough for them to be treated with joyful respect. The light is crystal clear, which is to say that the air is filled with all the necessary air stuff and it also contains small winged insects and is more or less dry (wet air is not crystal clear). The garden again today, is full of movement, particularly the movements of leaves falling idly and taking their time to reach the ground because there is no hastening breeze to hurry them. It is May and movement and light in the garden make this the most desirable place and time on Earth and not forgetting that this is the month of my birth.
And it’s also butterfly time in this part of the garden. It seems unfair that butterflies live for so brief a time. For those who know the garden, I’m behind and to the left of Belvedere Central with the early afternoon sun tracking low behind me and warming my back. I can’t quite see the nearby river tucked in beneath the edge of the lawn and the riverbank and have fragmentary windows through the foliage of the downstream parts. Here there are good patches of warming light (the higher trees near the road interrupt the sunlight a couple of times and I move my two chairs to stay in radiant touch—one chair for me, the other for books, and a clipboard/file filled with unused lined paper from old exam answer books {I brought many of these otherwise wasted pages when I moved here in 1984} and the emergency phone {please come and rescue my battered self from beneath the fallen forest giant}, my glasses, my camera, my 27-years old mug {usually tea-filled, but the tea sometimes replaced by a glassful of Shiraz}). 
Yes, I know I wrote about the butterflies last month, but they’re still flying sunny afternoon sorties and I continue seeing them as happy symbols of hope. The intrepid fliers are often awake earlier in the day, but not many are warmed up and ready for flying until about noon: it’s obvious that they love warm flying conditions and sometimes will fly together in twos or threes (ought I think of small groups as flights or as squadrons, I wonder)?
–And although there are sundry small moths and other insects in the air the small winged insects that I most enjoy seeing these days are invariably those brown butterflies with the gaudy wing roundels. I don’t know what species command the skies of ‘my’ garden. I do know that in this era and in this season the majority of these beautiful little creatures are largely brown, a rich dark chocolate or richly roasted (but not espresso roasted) coffee colour—more or less the colour of dark chocolate or ground coffee and that they each have yellow or pale straw coloured wing markings. They look striking in sunlight and every bit as beautiful as the wartime Spitfire looked when filmed flying in clear air—and the butterflies, particularly during a group or squadron exercise, can move with awesome speed: very tight turns, enormously fast changes of direction that would surely tear a real aircraft frame apart! How on Earth do they do that?
I take my blue clip board filled with writing paper, the scarcely begun book about the Yarra, a copy of the Literary Review that has been opened—just—once or twice and Anna Funder’s novel set in Berlin (I’ve started to read this but for several reasons I haven’t been travelling quite as easily inside this novel possibly because I well remember some older novels that explored some of the issues that arose between the wars or that examined themes about the lives of refugees in Europe (particularly Paris) in the 1930s. I’m thinking of dusty old books like Erich Maria Remarque’s Flotsam; All Quiet on the Western Front, Arch of Triumph; Ilya Ehrenburg’s The Fall of Paris. Some of these old hardcover books were published during WW 11 and printed to “Book Production War Economy Standard” when paper was scarce and the printing was tight and sometimes difficult to read. I realise I’m not quite ready to read a new novel of those times and perhaps I may have a need to re-read some of the older ones first. Ms Funder is a writer I admire and so I’ll postpone her novel for now and return to it later).
Outside in the garden the autumn sun is pouring down its effulgence (how’s that for a clichĂ©d phrase?) on this little part of the world. I think how fortunate I am to be in this radiance. I wonder if, when we die, it might be possible for us to be dead yet still be able to somehow see the ocean of light arriving in waves from our star? Being dead in the dark will be so bloody boring as to be perverse: as an aspect or part of this universe, please note, I and Thee also are the universe for how can anything be part of the whole without also being the whole?
And I also take the kitchen scraps down to a compost site that the wild creatures inspect for nourishing rejects before the environment is allowed to process the remainder (night time operations that I hear as four-footed brawls, but which I seldom witness). I farewell the kitchen scraps. One-handed I grab up the green plastic garden chairs then, rushing to the light, I set myself up and have barely got myself into a chair unscathed when I see my favourite butterflies at all the popular winged insect altitudes, including millimetres above the grass and ground covers. I leap up, unwrapping the camera from its waterproof cover and begin stalking the fliers. Today they enjoy the advantage of flying at about 5-m in bright sunlight—I write flying, but in reality they make bobbing flights (bob-flights?) that look more like rapid jumps through the air and these movements are so dashingly quick that the overall course of any flier looks impossible to predict. I would enjoy knowing just how fast they move but will have to detour from writing to research that.
Gather ye rosebuds while ye may,
Old time is still a-flying
And this same flower that smiles today
Tomorrow will be dying.
        Robert Herrick, Hesperides, ‘To the Virgins, to Make Much of Time.’

May 27 2012. When not finding excuses to loaf about in the sunny garden I’m currently working on drafts of a novel, set here (of course) and which feature the major protagonists from “The Summer River” and these drafts are also intended to become the sequel to that unpublished story (!).
The title of the prior novel is also the title of a haiku by the 17th century poet, Shiki. That poem and many others can be found in RH Blyth’s fine book, Haiku Vol 3 Summer-Autumn (Fields and Mountains). Tokyo: Hokuseido Press, 1950. Years ago a friend sent me some photocopies of some pages from that book that nicely relate to associated landscapes and waterscapes to be seen at Earthrise and nearby.  I enjoy reading these excerpts from that marvellous book because the poems are presented first in Japanese characters then, second, in Japanese text and, third, in English translations. Seeing the Japanese characters adds to my pleasure of seeing the transcriptions in English. Although I can’t read the Japanese characters I like the ways that they look and, it seems to me, the subtle way in which those characters decorate my photocopied pages and strangely seem to influence my imagined visualizing of the poem in English. That may seem an odd thing to write, but it isn’t at all odd for me to think it. There may not be too many similarities between the Japanese countryside and the Darkwood where I live, but rivers with water-rounded stones seen only from bank to bank will be similar in many ways. I’m trying to indicate that I like to think that when I visualize Japanese rivers they don’t look like Australian rivers—beyond the banks (no gums; pines in Japan; the somewhat similar casuarina or she-oak here help the illusion). 
The poems I have in mind are contained in a Field and Mountains section and the ones I most enjoy are English translations of haiku about rivers and water. The notion above made explicit by Blyth is one that I’m fond of because I see its reality so frequently here. For example my morning walk takes me along the road and downriver to Richardson’s bridge. The bridge is not well sited in my opinion and together with a concrete approach that juts into the stream on the west side of the river the bridge is an undeniable obstruction to the river’s flow and consequently the river flows every which way.
At the bridge, more or less surrounded by the lively river, I take my time to step over the baluster rail and stand on the walkway directly above the torrent probing and winding to find its way and from where I can watch water in motion over stones. To explain that more fully: at this time of the year the rising sun shines at a low angle across the river’s surface and through bubbles and froth and an array of casuarina needles jumbled together between stones so that the images of all these ‘objects’ are projected by sunlight, and somewhat magnified down and through the shallow water beneath me and on to the surfaces of large stones on the riverbed. Additionally there are surface patterns on the river that are ephemeral: swirls made apparent by the stream’s variable flowing and seen only when the viewer focuses on them (these swirls and ripples are slight and look unmistakably black and are best seen on dull grey days from directly above on the walkway). All of these projected patterns move continuously and so are continually altered or dynamically changed by the changing flow and also when there is a breeze and when clouds vary the strength of sunlight. I the seer or viewer see this moving exposition simply by standing still and looking down and through the water to where the patterns are altering. The patterns often look like colourful laminations in the stones set free by the energy of sunlight. The passing river produces accompanying water sounds and I’m privileged to be attending a sound and light show.
By slightly moving my head a few centimetres on fine sunny mornings I may access a second show being presented, this second one being more difficult to see because it is almost background and because its nature is micro rather than macro and anyone not actively paying attention by refocusing and scanning may miss it altogether. I had altogether missed this Second View on many occasions because although I was present and more or less fully conscious I was not at all well focussed: I was seeing the light on tonnes of water rounded stones flood-dumped over most of an otherwise flattened half hectare of riverbank. Many of the stones were of many different sizes and shapes, some of which were dry and others that were damp or wet and I became suddenly aware that there were also many threads of what seems to be spider silk, some of the strands being anchored to the timber bridge near my feet, but there were no visible webs, not one! As my eyes adjusted to this new phenomenon I was able to see an increasing number of the threads that stretched between stones and realised that I was able to see them at all simply because they reflected sunlight. Spider silk, if that’s is what I’ve been admiring, is only microns in diameter (a micron being one millionth of a metre). (Such silken strands floating in clear air can only be seen at a distance (e.g., 50-m away over the river from where I am sitting inside the house writing) because reflected sunlight enables their visibility.
The more carefully I looked the more strands of silk I could see. Perhaps were I to clamber down from the bridge walkway and peer closely with a magnifier I might be fortunate enough to find webs and the master makers of the silk threads, but I was more content to stand in the sun and to see with wonder what Nature was displaying. A stone ‘field’ interconnected by silken cables may not be everybody’s cup of tea but I was pleased to watch this for a long time because the slightest movement of air would set this big network trembling and glistering in the light. Do the threads constitute hunting devices intended as very large open meshed nets to stop or stun flying insects? If so there might then be a degree of cooperation between the many cable manufacturers such that territoriality might be waived to allow several predators to share meals? What other possible explanation could be offered if the silk cables are not traps? I suppose I’d be stretching my imagination rather too far were I to suggest that many small beasties (probably spiders) were intent on constructing a 1–km array that would facilitate their detecting other galaxies or clusters of galaxies so I’d best not proceed down that track…
When at last I turn away from these river shows and prepare to walk homeward I note that the tallest and most mature-looking casuarinas near the bridge all support stag horn and elk-horn and bird’s-nest ferns high on their trunks; some of these green living forms offer shapes that might have excited Gaudi when he was visualizing the building of the Sagrada Famillia cathedral in Barcelona. And if I change my focus yet again I can take a few more seconds or minutes to admire the air show being staged by daredevil swallows that fly dartingly up and down the river, over and under the bridge, undoubtedly enjoying their acrobatics as much as they probably love hunting and eating on the wing.

Ah! Time to go: it’s the last day of May and official winter only hours away and the presses are waiting to roll. Be well, all.
Best wishes, Don.

--And here’s a message from my friend, Russell Atkinson:
The latest blog on www.theoldestako.wordpress.com about the light of your life has been posted with strange photos. Are shadows things? What do you think? Plus more maxims for mystics and some up-to-date words from a Japanese sage C 300BC



   


Monday, April 30, 2012

The Earthrise Diary (April 2012)


                              THE EARTHRISE DIARY (April 2012)

      
© text Don Diespecker 2012; individual © is retained by authors whose writings are included in this text.


                                                                                                       Don Diespecker

In my relentless search for appropriate epigraphs I offer these two to readers who may be especially interested in the ocean and in rivers. This is the month in which the RMS Titanic went down 100 years ago—just 17 years before I was born. My same vintage cousin, Rik Diespecker, recently did some research on the ship that carried the Diespecker family from the UK to Canada in 1908. Our grandparents, Rudolph and Elizabeth Diespecker, together with their five sons (including my father, Durbyn, 1896-1977 and Rik’s father, Richard, {always ‘Dick’ in the family}, 1907-1973) were among the 556 passengers on the SS Parisian that sailed from London to Quebec City (and Montreal) in September 1908. Rik’s research showed that “The Parisian (5,359 tons, steel hull, speed 14 knots), had accommodation for 1,250 passengers, was built in Glasgow and launched on November 4 1880”… “Her maiden voyage, March 10 1880, was from Liverpool to Halifax and Boston. She was fitted with new engines in 1899 and in 1902 she was equipped with the Marconi Wireless Telegraph”… “London – Quebec – Montreal voyages began in April 1908 and continued until September 17 1909 when the Parisian resumed the Glasgow-Boston route. In April 1912 she rescued some of the survivors from the Titanic. She was scrapped in Italy in January 1914.”                                                                                     DD and RD

Louis Bleriot made his first flight in 1907 and flew across the English Channel in 1909.
Vitamins were recognized as essential to health in 1906; their classification in 1911 stimulated dietary studies.
Ammonia was synthesized in 1908, enabling Germany to produce the first high explosives.
The first helicopter flew in 1907.
The Model T Ford was sold in 1908. It was the first automobile made on an assembly line.
The former Boer republics helped form a new dominion, the Union of South Africa, 1910.
A nationalist government was set up in China in 1911 under Sun Yat-sen.
Igor Stravinsky’s Petrushka, 1911 and Maurice Ravel’s Daphnis and Chloe were performed in 1912,
Nuclear theory, (that the atom contains a central nucleus), was announced by Lord Rutherford in 1911.
                                           The Random House Timetables of History

The trip was finally over: I had visited every dip and bend and deep and shallow of the most important river in the world. Now, up here, high on the Tibetan Plateau among the snowy crags of the Tanggula Shan range where the river was born, that world was deserted and almost soundless, with just a few yaks moving slowly across the meadow, tearing disconsolately at the thin grass. The river, here no more than a shallow stream just a couple of yards across, gurgled pleasantly, readying itself for its journey of almost four thousand miles down to where I had begun my journey in its immense, muddy and ship-jostled estuary on the East China Sea.

Simon Winchester, in the Introduction to the New Edition of The River at the Center of the World; A Journey up the Yangtze, and Back in Chinese Time.

Saturday April 7 2012. I’ve been enjoying my Saturday breakfast while seeing the river in brilliant sunlight on a summery morning in autumn. Saturday breakfast is special because I give myself permission to indulge in black coffee (no sugar) and then a ‘scrambled omelet’ accompanied by a little crispy bacon. The relatively small amount of coffee, approximately two teaspoons, provides a disproportionate hit that hurls the Don brain into warp speed and enables a fast start on Writings (so fast, sometimes, that my mind must necessarily do an Immelmann turn when I remember to consume the otherwise forgotten two slices of toast and Rose’s English Breakfast Marmalade (no butter) to which I am somewhat addicted (it used to be Lackerstein’s Marmalde in a steel tin but I can no longer find that in the supermarket). The ‘no butter’ stricture is there for several good reasons: my blood vessels do not thrive on butter; my favourite GP has mentioned that I should ‘Go easy on the Dairy;’ also, my late father, Durbyn, during the Great Depression, when we lived in British Columbia, used to say that although he enjoyed butter and sundry other spreads, including marmalade, either of those he considered a special treat, but that butter and a second spread taken together on a slice of bread or toast was excessive and luxurious… (As I recall, our family’s favourite Saturday or Sunday breakfast in those 1930s days was ‘a stack of wheat’s,’{pan-fried wheaten pancakes with maple syrup…and sometimes with a tiny bit of added butter} thoughtfully made by Dad).
Saturday April 21 2012 was very similar to April 7–it was like a summer’s day. Between these two Saturdays the weather was largely rubbish: it rained, it showered, it drizzled and there was mud everywhere at Earthrise. Son Nick visited from Ottawa for a couple of days while he and wife Carol were visiting Pam and Carl at Mayfield and during a sunny lull at Earthrise and in that time we were able to pump some water to storage and walk a bit and sit and talk considerably and to eat and drink well (butter was not an issue).
Books, Writers and Creative Writing

Being pensive or contemplative before plunging into The Writings is usually the most sensible way to begin a ‘composing’ session. On these sunny autumn mornings, sitting at my worktable and with the computer switched either to off or perhaps to sleep I’m often aware of reflections on the dark screen in front of me. I see a fuzzy me, rows of dark books behind me on the wall bookshelves and I see sunlight streaming through the circular window above a slightly better illuminated row of dictionaries. And there’s an untidy pile of books dominating the adjacent table where the printer is nudged by a bunch of current files. The untidy book pile looms next to me as a reminder that I’ve failed to complete reading these particular books. Certain books are partly read, others have been scarcely opened or examined and there’s a bunch of them that don’t deserve this isolation at all: the annual Black Inc volumes of essays, stories and poetry regularly published as The Best Australian (essays or stories or poetry). Each of these anthologies enable the reader to sample at leisure and the writing is always extraordinarily good and often memorable: it would be a mistake to read any one of these anthologies straight through from beginning to end because each writer has uniquely different styles and their rhetoric is distinctive and the themes explored vary enormously. Such books deserve close attention and I sample them one narrative at a time to leave room for the contemplation they deserve—I’m trying to say that a book like Anna Karenina is an inspired and inspiring page turner and although the Black Inc anthologies are also great page turners the different authors are best understood one at a time and carefully rather than quickly. Most of the other books in the pile are the books that I should have read weeks ago (novels, for example).
Now I joyfully remove and almost discard one of Henry James’ novels: What Maisie Knew. The critics will tell us that this is a fine book; they will almost universally declare it to be something of a masterpiece, that it is an excellent example of literary fiction and that if the reading public has any sense at all they will apply themselves to reading and completing this astonishing work of art. The fine writer and critic, David Lodge (The Art of Fiction), not only praises this text, he also warns against it, for James often writes such lengthy and complex sentences solidifying into entire paragraphs that in Lodge’s view: …’you have to wait till the end, [of the sentence] holding the accumulating information in your head, for the clinching clause that delivers the main point… This makes reading James a strenuous, but rewarding experience: nod in mid-sentence and you are lost.’ Exactly! I am unable to get past the middle of this taxing narrative and am now abandoning the entire book. As much as I admire writing that enables the reader access to the ‘inner life’ of characters, James is too much: nod in mid-sentence and you are indeed lost. I wonder what kinds of conversations novelist Henry and his psychologist and philosopher brother, William, might have had?
Other unfinished books demanding my attention include Deborah Eisenberg’s (fiction) Twilight of the Superheroes, Anna Funder’s (fiction) (No. 1 Bestseller) All that I am, David Mitchell’s (fiction) Cloud Atlas, The Australian Long Story (there are 9 authors) (Ed) Mandy Sayer, Murasaki Shikibu’s (fiction) The Tale of Genji, the nonfiction Home Ground (Language for an American Landscape) (Eds) Barry Lopez and Debra Gwartney, Maya Ward’s (nonfiction) The Comfort of Water, and Simon Winchester’s (nonfiction) The River at the Center of the World.
I dare not tell the whole truth about these books and I ought not   review partly read books. The last two named books are about rivers (Yarra and Yangtze); Home Ground is an alluring reference book that I sample occasionally: its structure is so attractive as to be compelling: it’s a big encyclopedic dictionary with wide margins. The entries describe landforms; there are drawings, some of them in the margins and most of them finely rendered; in many margins text (e.g., from novels) demonstrates how writers have used the defined words or phrases that comprise the entries; this is a book I dare not finish because reading it is such a pleasure: the reader is able to better understand some of Cormac McCarthy’s lyrical descriptions in his US/Mexican novels that have landforms with Spanish names. Cloud Atlas is fiction about fiction (metafiction) and as much as I’ve enjoyed half of it (chapters or segments are in differing styles) I have reached an impasse similar to that indicated by Lodge’s comments on James, i.e., I’ve lost the plot, literally. The Tale of Genji is said to be the world’s oldest novel. It has intriguing illustrations and although the stories are well told, reading them in translation is tedious (yes, I know this is sacrilege). I’ve read only a few pages of Esisenberg, but will persevere, and although I’m half way through Anna Funda’s novel I haven’t entirely warmed to the characters…yet. And as much as I like long stories (better than short stories) because the long story is a form I also enjoy writing, I have not, so far, particularly liked either the themes, plots or story lines of the narratives in The Australian Long Story. Also, I dislike long prefaces, explanations and forewords and am deeply suspicious of the generous praise contained in too many well-written blurbs: pages of hype are not substitute for fine or literary writing (sorry chaps).   
The circular window slightly behind me is well covered by dust and webs so that light has necessarily to filter its way through the glass. The window glass is also dusty enough to be a ground for the shadows of nearby trees as well as reflections of the trees seen further back in the garden where there is direct sunlight. Nice. I feel I’m both in a writer’s retreat and a possibly savage critic’s retreat. Attached to the inside of my beautiful circular window and now brilliantly seen reflected by my black computer screen is a filmy reproduction of a Rupert Bunny painting. Perhaps it’s just me and perhaps most of you reading this have known of this marvelous Australian painter for years. Rupert Bunny (Sept 29 1864- May 25 1947). The reader who has not seen Bunny paintings may Google his name to see for him- or her-self.             
                  
I usually go shopping on a particular weekday and drive a considerable distance to experience a range of road conditions that include the much maligned Darkwood Road, (especially those conditions along its furthest parts where I live adjacent to some of the road’s rural awfulness), the early morning rush of vehicles on the Trunk Road, the press of BIG vehicles of all kinds lurching through Bellingen such as tankers and logging trucks and on the highway the speed of modern sedans having high performance engines—all kinds of traffic or road conditions. As many of us drivers do, I also tune in and out of the great stream of consciousness while driving. And although I can’t possibly detail those thoughts or that imagery, one or two instances might be salvageable.
The week between the above two dates was not a typical or normal week. In that week it was necessary to leave home and to drive on five consecutive days. Because it seems unlikely to me that no reader will want to read my detailed description of that week I’ve chosen a few of the highlights and will present them here as tiny and partial proto essays in the hope that you, the reader, won’t be needlessly irritated or bored and that you may even experience sympathetic twinges—or that you may perhaps be entertained. These proto pieces (you may even think of them as feuilletons) are in no special order.

                                                    Round Trip
Here I am. I’ve been Out There, completed the mission, returned in one piece and would dearly like to have some lunch and then totter down to the Big Lawn to enjoy the simple pleasure of sitting in my garden.

I am awake before 05:00. The weather is less than wonderful. Darkwood Road when it emerges from the gloom looks cheerless and wet. The river is up a bit. The rain comes down in annoying on-off showers or drizzle. After breakfast I drive away into the wet. The bitumen further along my journey is wet and is also greasy in places. I am cautious with the brakes and have a preference for using the gears. The 1987 Honda can hold her own with The Big Guys driving modern vehicles having high performance engines because my car is expertly serviced and enjoys the best fuel; however, I don’t do road competitions; life is too short.
The first part of the day is easy because it isn’t unusual and I do this trip at least once a week: I merely get up early, catch some news, successfully pass in stages from bed to bathroom to being fully dressed, showered, shaved and ready to meet whatever comes up. I go shopping by surviving the awfulness of upper Darkwood Road, then the Trunk Road, then the highway that accommodates the early morning rush hour into Coffs Harbour and beyond. I shop and return home in the same order as when I left. Then I eat and then I sit in the garden: the garden is the best part of such a day. I have dodged the worst of the rain or showers. I have a newspaper. I have Simon Winchester’s beaut book (thanks, Nick: it’s a perfect gift!).  I can recover and recuperate and I do. This recovery stage is a delight. But before I read anything I look and see what’s what. Butterflies. I am fascinated and charmed to see butterfly air-shows.

                                              Air Shows
There‘s a part of me that wants to know the name of the butterfly: it looks so unusual and so purposeful; but there’s another part of me that enjoys the mysteriousness of the little creature’s behaviour and I don’t need to understand its modus operandi.

At this time of year each sunny day or partly sunny day is a bonus. The yellow and brown leaves of the white cedars drift to the lawn like showers of light snow. I see that there is no breeze at all and feel sure that the leaves have been let go in flurries from several trees (trees do this as though making considered decisions). Then the flurries stop. Just like that. If any reader thinks this odd may I gently point out that sitting quietly in a garden will enable each of you to see this for yourself. These occasional flurries and falls of leaves although they have little to do with us may greatly benefit us in calming ways; that’s why I so much enjoy leaves falling: seeing the phenomenon is always a remarkable experience.
In my view watching butterflies, like watching falling leaves in autumn, is in the nature of a meditative practice and is healing. Driving from here to Coffs Harbour and ‘back’ again (forward, really) is far from calming or contemplative, at least it is for me. I know that after returning home from lengthy drives and my then sitting outside in the garden returns me to calmness and that such interludes are vital to my wellbeing.
At this time of the year there are distinctive butterflies at Earthrise: average in size, milk chocolate brown in colour, and having striking yellow markings on each wing. The yellow and sometimes cream markings are sometimes in the nature of roundels on aircraft wings, sometimes they remind me vividly of bold lightning flashes. If one settles on the ground I can get fairly close on hands and knees and then I’m able to also see two tiny ‘eyes’ on the tail, and these look yellow, too, but they’re so small that their diameters are scarcely 1-mm. A millimeter or two is hard to see unless I can get really close and on my knees, yet when I see spider web filament drifting over the river, I can clearly see the silken strand. There are so many online references to spider silk that the mind boggles—spider silk is finer than human hair: threads are only a few microns in diameter, a micron being a millionth of a metre… Even though I know that my seeing this material depends greatly on light the ability of anyone or any creature being able to make discriminations like that are amazing—in my opinion. I can discriminate the width of a single strand of some fine material from the air containing it that is a mere few millionths of a metre in diameter! From the house I often see spider silk drifting over the river perhaps 40-m away and that seems magical to me. Yet seeing the tiny roundels on the butterfly’s tail is much more difficult.
Also in my magical and amazing visual acuity repertoire: seeing close together butterflies bobbing at speed two or three metres away from my garden chair. Their ‘bobbing speed’ is hard to estimate and although I’ve no idea of how fast two or three butterflies are moving this way in direct relation to one another, I can see that such movements and turns and sudden changes of altitude are very quick indeed. How do they do that without causing mid-air collisions? 
 
                                           The Helmsman           
My favourite dictionary now seems old: the word cybernetics comes to us from the Greek kybernet, (helmsman, steersman), and I’ve remembered that from my student days and when the University purchased its first computer and we used to punch cards to represent our input data to a machine we called a PDP 8…

On a different morning (and also quite early in the day) I very carefully disconnect my computer, very, very carefully carry it to the car and secure the machine inside the vehicle. I plan to take my computer to a computer wizard for a sort of servicing. I extend the normal driving experience and visit my IT guru who is also old friend. The landscape is changing: bush that once thrived en route has now vanished because the road builders have so effectively obliterated it that I am in danger of becoming lost. What my friend doesn’t know about our kind of computer isn’t worth bothering about. I dare not name him. Were I to identify this magician of the IT/computing world, he would be besieged by hordes of computer drivers desperate to have their machines Fixed or Improved or Fine Tuned. Like me, he is retired; these days ‘retirement’ is code for ‘extremely busy and in the middle of everything.’  I am very fortunate and am not going to reveal anything that will enable you to find him. When he connects my machine and studies her actions there is a strangely compelling change in the air that now seems to sparkle with a strange ambience and I think I am hearing very melodic and distant music. The inner workings of my computer are rapidly displayed on the screen; enormous amounts of detailed lore appear in what I suspect are called windows and successive displays of detailed graphics flash briefly and slow my senses. Celestial music seems to waft down from the sky. Images flash strangely by. Then I slowly awake from my drowsy state to hear the Old Helmsman’s voice saying: ‘All is well; she looks OK.’
                              
                                           Inner Workings                                                 
X-rays are a form of electromagnetic radiation, similar to light but of shorter wavelength and capable of penetrating solids and of ionizing gases. Radiation gives me pause for thought; as does ionizing. And I remember the recent accidental electrification of my roof and bathroom floor and not forgetting the fallen tree that wrecked the ‘point of attachment’ to the incoming power line; none of which was nice. The one form of light that I welcome comes from the sun and enfolds me while I muse in my garden.

I’ve reached Coffs Harbour after another early start and am now in a room in one of the city’s radiology ‘centres’ (if ‘centres’ is the right word). It’s somewhat Star Wars in here and, I suspect, there are lots of invisible volts in the wiring: a carefully wrapped and insulated bundle of wires or cables nudges my head and I step back indignantly. Big machines hum softly and therefore ominously. It’s a little chilly in here. This is a nil-by-mouth occasion; I’ve been up since dawn, had no breakfast and have dared to take only my half tablet of metoprolol to discourage my blowing up or breaking down on the journey from home to ‘the largest city in northeast NSW’. In a way, I am now not just old, I am an old tough guy who has early morning adventures driving on the highway at speed followed by early morning stoicism when confronted by X-ray and scanning machines. I have arrived here in one piece by imagining myself heroically as the successful driver of a Starship that has zoomed through the Belts of Orion and evaded Klingon battle cruisers and I have held my own with younger space cadets on the highway. The radiologist (I suspect him of being the Practitioner, i.e., a medico who is also a radiologist) invites me to exchange my shirt for a thin blue smock of the disposable kind. The smock can be secured in a bow from behind. Easy. The purpose of the smock is partly to combat my dribbling or drooling of barium and thereby preventing me from making a mess of my clothes. The barium drink is explained (my dictionary later reveals that ‘barium’ is probably barium sulphate, ‘which is used chiefly as a pigment in paints and printing inks, and in medicine, because of its radiopacity, for x-ray diagnosis’). I follow directions and stand with my chest pressed to a cold screen. I hold my breath. X-rays, I suspect flood briefly through me. I remain expectantly in the pressed chest position. The radiologist ducks inside his capsule to check the result. He returns wanting another take. The rays surge through me again. I then totter to a different location in the same room to stand on the small metal platform of a second machine, one that not only scans: it has the potential to tilt me at odd angles. I knock back the first drink of barium; such drinks are also called ‘meals’. It doesn’t taste so bad; it’s just thick and uninteresting although almost tasty. This particular machine is scanning in real time and also, it seems, taking pictures while the barium finds its way down my gullet to my stomach. The radiologist calls in a colleague. Is something amiss? The colleague arrives leaving the door open. The two colleagues confer in the cubbyhole pod or bunker. I remain motionless because I can see through the open door to the front desk and beyond. If I stand very still, I imagine, then the other humans that I can clearly see moving near the front counter may not see me and so will perhaps not be perturbed by viewing the disembodied person who has been captured and held in a back room. If these other persons look in my direction they will see the top half of an old guy, apparently an antique cross dresser enchantingly turned out in a new blue translucent smock which has scarcely any barium dribble down the front. Fortunately, I am not in full tilt and am thankful to be not far off the vertical. The person consulted leaves and the door is closed. I relax. Now I am tilted and requested to drink more barium, this time through a straw. By squinting while sucking I can see the imaged barium descending with ghostly certainty through my oesophagus like ectoplasm to my stomach. This is mildly interesting. What takes most of my interest, however, is an alarming X-ray view of my upper vertebrae maintaining some sort of connection with the back of my head and one of them, the Number One Vertebra, I guess, looks so detached as to be sticking out like a sore thumb. I make joking reference to this. The radiologist person laughs tolerantly and gently. We continue sociably with the procedure until suddenly it’s all over. I get dressed leaving my dribbled-on smock behind, recover my wits and leave the machine room and the radiology centre to rejoin ordinary humans in the streets and wander away to the Palm Centre where I recklessly have some very acceptable coffee (this being a special revivifying occasion) and a gluten-free strawberry muffin, then I lurch away to the parking station where I picnic on the car’s bonnet and finally head for home, burping.
                                                      
                                           Mind Pictures
Consciousness, then, does not appear to itself chopped up in bits. Such words as ‘chain’ or ‘train’ do not describe it fitly… It is nothing jointed: it flows. A ‘river’ or a ‘stream’ are the metaphors by which it is most naturally described. In talking of it hereafter, let us call it the stream of thought, of consciousness, or of subjective life (William James, 1890).

When we drive our motor vehicles we are, hopefully, fully conscious and that means that whatever we are actively doing we are also actively thinking, idly thinking, contemplatively thinking and excitedly thinking and doing that in different phases. I know I do and I also know that it’s essential that I drive focused and alert and wholly aware of where I am (usually IN traffic) and what I am about: I’m paying attention, largely to my driving; I’m also paying attention to much of what is running through my mind that is not ‘attention to driving’ for I am paying attention, as well, to myself.
Because falling leaves often remind me instantly of snow falling I tend to visualize snowy times and places—and I sometimes do this while driving. I recently remembered working on the runways (part of a civil engineering contract) at Tehran-Mehrabad Airport in 1956 and the snow falling heavily. I sometimes traveled around Iran as a passenger in old Iran Air DC-3s (the ‘Dakota’) and those times reminded me of lighter snowfalls when I was a schoolboy in Victoria, BC, Canada: in the mid-Thirties I would walk from the family home in Oxford Street, to Sir James Douglas School in all weathers and on snowy days I’d wear a zipped windbreaker and had one of those old-fashioned leather ‘flying helmets (with goggles) on my head—like many other kids. I remember that in my mind I was the intrepid aviator flying heroically through a blinding snowstorm…and in those far-off times the real North American aviators of the day were Charles Lindbergh (1902-1974) who had made the first nonstop solo flight across the Atlantic in 1927 (from New York to Paris) and Amelia Earhart (1897-1937), the first woman to fly the Atlantic alone, five years after Lindbergh, in May 1932 and who became the first woman to receive the US Distinguished Flying Cross (she and her male navigator disappeared without trace while making a Pacific flight in a twin-engine Lockheed Electra in July 1937). A couple of months later I sailed with my family on a freighter carrying lumber from Chemainus (Vancouver Island, BC) to South African and Mozambique ports (we were all signed on as crew) and I remember how frequently Amelia was discussed. In the Thirties we had the radio and the newspaper and we went every week to the movies: the Lindbergh kidnapping, the exploits of famous aviators and the political changes in Europe were hot topics that I knew of, yet was too young to discuss; small children look, listen and learn. I still visualize those times.
The butterflies that I enjoy watching in my garden, the ones with the vivid markings, also remind me of other times, other places because the wing markings look like crudely drawn and too-thick ‘lightning flashes’ and the lightning flashes remind me of the insignia worn by the Nazi SS and although that’s an unfortunate image to be reminded of, it comes up frequently, uninvited.
More cheerfully, here’s a relevant quotation (from The origin of consciousness in the breakdown of the bicameral mind by Julian Jaynes):
Or introspect on when you last went swimming: I suspect you have an image of a seashore, lake, or pool which is largely a retrospection, but when it comes to yourself swimming, lo! Like Nijinsky in his dance, you are seeing yourself swim, something that you have never observed at all!   
And isn’t this pretty much what we all do?

The drive between Bellingen and Thora is worth taking now because the trees are showing their autumn colours. In some respects driving here is like driving in an Impressionist painting: that’s how good these trees look. Those parts of me that would enjoy being a film director would like to experimentally fly slowly and low above the road so that I might find the best times and weather conditions and altitudes to make a film of these trees (no voice-over narrative; a little Debussy music, perhaps)—and that makes me wonder, again, about butterflies: do butterflies sometimes bob around the flyways of my garden (at different altitudes, times of the day, varying weather) just for pleasure?
I’ve managed some further Yangtze reading in the garden where the sun still shines. Reading about some aspects of the Yangtze is unsettling: that river has many dangers, is hugely deep in places, has terrifying currents and rapids and its floods are enormous; bridging the river except in a few locations, is quite impossible, it seems. Although the Bellinger in flood can be very unsettling indeed (here at Earthrise), it otherwise seems so non-threatening and modest most of the time. I wonder how the local Council in Bellingen might react to the notion that “the single most important purpose of a dam is the elimination of floods”?
In the garden where I’ve been comfortably reading, despite the persistence of winged beasties, the double pink hibiscus continues flowering as do all of the red salvia seedlings; the flowering dahlias finished flowering on April 29, some cannas droop sadly but are flowering, just; small bright cumquats ripen—enough to make some jam or marmalade, perhaps; and the brown butterflies are still busy (they are colourfully mobile and can never be missed). Along Darkwood Road in the sunnier places there are many ripening berries on the white cedar trees; when I stand beneath one looking up I see several species of birds happily feeding on them.

Food for thought: I see that in a recent article by Paola Totaro (Sydney Morning Herald, April 9 2012) that Hindu cremation ghats at the Pashupatinath Temple in Kathmandu are to be replaced with a modern electric crematorium and that it otherwise “takes about three hours to burn a human body, with every funeral pyre consuming at least 300 kilograms of wood.”
The next Diary is due to be posted on May 31. Essays and book reviews written by Diary readers are welcome.
Also, please see Russell Atkinson’s new blog in “The last Mile,” at <www.theoldestako.wordpress.com> (it’s about “subverting paradigms, one very popular one in particular, with three mindboggling maxims and an overlooked wonder”).
Best wishes from Don. April 30 2012.